The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
Parphenas went down to the church, which was lighted by a single lamp,
placed before the old ivory-carved diptych. Two large sapphires in the
aureole of Jesus, who was sitting on the Virgin's arm, had been
carried off by the Pagans, and transferred to their original setting
in the Temple of Dionysus. These black hollows in the yellow ivory
were to Parphenas wounds in some living body.
"No, I cannot bear it," he murmured, kissing the hand of the Infant
Jesus. "I cannot bear it; 'twould be better to die!"
These sacrilegious marks in the ivory tortured and angered him more
than outrage on a human being.
In a corner of the church he discovered a rope-ladder, used in
lighting chapel-lamps. Carrying this ladder he went forth into a
narrow passage leading to the outer gate, in front of which the fat
brother-cellarer, Chorys, was snoring on the straw. Parphenas glided
past like a shadow. The lock of the door made a grinding noise. Chorys
sat unblinking, and then rolled round on the straw.
Parphenas leapt over a low wall and found himself in the deserted
street, into which the full moon was shining. There was a low roar of
the sea. The young monk went along the Temple of Dionysus up to a
point in which the wall was plunged in shadow. Thence he threw up the
rope-ladder, so that it hooked itself to the metal pinnacle which
decorated the corner. The ladder swung from the claw of a sphinx. The
monk clambered by it to the roof.
Far off, cocks crew; a dog barked; and then again came silence,
measured only by the slow sighings of the sea.
Parphenas threw the ladder down the inner wall of the temple, and
descended.
The eyes of the god, two lengthy sapphires, shone with intense
vividness in the moonlight, gazing down on the monk. Parphenas,
thrilled by the silence, trembled and crossed himself. He clambered on
to the altar where Julian had offered the sacrifice, and his heels
felt the warmth of the half-extinguished embers.
The monk drew the awl from his pocket. The god's eyes sparkled close
to his face, and the artist felt the careless smile of Dionysus, and
the lovely pose of the body. Even while digging out the sapphires, his
admiring hand involuntarily spared the body of the marble tempter.
Finally the deed was done. The blinded Dionysus stared horribly on the
monk from his hollow orbits. Terror fairly seized Parphenas. It seemed
that he was watched. He leapt down from the altar, ran to the
rope-ladder, climbed, threw it down the other side of the wall,
without taking time to fix it properly. This cost him a fall during
the latter part of the descent.
With crimson face, and clothes ragged and disordered, but griping the
precious sapphires, he slunk furtively across the street, and ran to
the monastery.
Public-domain text, read in full here on John Shaqi.
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