The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
"A galley! What do you mean?"
"A real Liburnian galley."
He immediately began to unroll his present, but suddenly aware that
Amaryllis was watching him, he felt ineffable shame, became confused,
and with an imploring look at the damsel, slid the ship into the basin
of the fountain.
"You see, Amaryllis ... it is a trireme ... a real trireme,
with--with--sails ... and ... its rudder.... Look how well it gets
under way!"
But Amaryllis laughed heartily.
"What an odd boy you are! What in the world should I do with your
trireme? I fear it wouldn't take me very far. It's a ship for mice and
flies. Make a present of it to Psyche; she will be delighted with it."
Julian, though deeply hurt, assumed indifference, while tears choked
his speech. Controlling himself, he said disdainfully, but with
trembling lips--
"I see that you don't understand anything ... about art."
Amaryllis laughed yet more heartily. To add insult to injury, a
summons came for her to receive her betrothed, a rich merchant from
Samos, who dressed badly, perfumed his person, and spoke vile grammar.
Julian hated him, and when he learnt of the arrival of the Samian, the
charm of the house vanished so far as he was concerned.
From the neighbouring room he could hear the distracting chatter of
Amaryllis and the voice of her lover.
Without uttering a word, and filled with cold hatred, Julian seized
his cherished trireme--the real Liburnian trireme which had cost him
such endless pains--and before the startled eyes of Psyche, snapped
the mast, tore down the sails, tangled the rigging, and stamped the
toy into atoms with his feet.
Amaryllis returned. Her face bore traces of a strange happiness, of
that superfluity of life and love-joy which awakens in young girls an
imperious need to embrace and to kiss those near them.
"Julian ... forgive me ... I have pained you. Forgive me, dear! you
know well that I love you."
And before he had time to make up his mind, Amaryllis, throwing back
her tunic, imprisoned his head in her fresh bare arms. A delightful
dread stopped the beating of Julian's heart; he saw her great dark
dewy eyes so close to him, the sweet odour of her body so overwhelmed
him, and she locked him so close against her breast, that the boy grew
giddy. He closed his eyes and felt a kiss long, too long, pressed upon
his lips.
The voice of the Samian broke the enchantment--
"Amaryllis, Amaryllis! where art thou?"
Julian putting forth all his strength pushed the girl away, his heart
overflowed with pain and hatred, and crying, "Let me go, let me go!"
snatched himself free and fled.
Public-domain text, read in full here on John Shaqi.
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