The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
"I think," answered Eusebius, "that the next news we shall receive
will be of the defeat and death of that young man!"
"Really?--that would give me much pain! But I have done, don't you
think, everything that lay in my power.... Henceforth he has only
himself to blame...."
Constantius smiled, and bowing his head admired his nails.
"You have conquered Magnentius," murmured the eunuch, "you have
conquered Vetranio, Constans, Gallus. You will conquer Julian. Then
there will be but one shepherd, one flock, God and you alone."
"Yes, yes. But, putting Julian on one side, there is still Athanasius.
I shall never be happy until, living or dead, he shall have fallen
into my hands."
"Julian is more to be feared than Athanasius, and you have invested
him to-day in the purple of death. Oh, wisdom of Providence,
destroying by inscrutable means all the enemies of Your Eternity!
Glory be to the Father, and to the Son, and to the Holy Ghost, now and
during the night of ages!"
"Amen," concluded the Emperor, having finished the toilet of his nails
and thrown away the last minute brush. He approached the ancient
banner of Constantine, the Labarum, which stood always in the
sleeping-chamber, knelt down, and contemplating the monogram of Christ
which shone in the flicker of the still-burning lamp, began his
prayers. He accomplished exactly the prescribed number of salves and
signs of the cross, addressing God with an imperturbable faith, as
one who never doubts his own worth and acceptability.
The three-quarters of an hour of devotions having elapsed, Constantius
arose with a light heart. Eunuchs undressed him. He lay down on an
Imperial couch propped by cherubim of silver on outspread wings, and
fell asleep in placid innocence with a child like smile on his lips.
XVII
At Athens, in one of the most frequented cross-roads, a statue
modelled by Arsinoë--_The victorious Octavius holding up the head of
Brutus_--was exhibited to the people, and the Athenians welcomed in
the daughter of the senator Helvidius Priscus a renewer of the art of
their golden age. But the special dignitaries whose business was to
keep watch on the public temper, officers strangely but rightly
nicknamed "Inquisitors," reported to the proper quarters that the
statue might arouse liberal sentiments in the people. A resemblance to
Julian was discovered in the face of Brutus, and in the work as a
whole a criminal allusion to the recent punishment of Gallus. Attempts
were made to discover in Octavius some analogy to the Emperor
Constantius. The affair took the proportions of an act of treason, and
almost fell into the hands of Paul Catena. Luckily the Imperial
chanceries sent direct a severe order to the local magistrate, that
not only should the statue disappear from the cross-roads, but that it
should be broken to pieces under the eyes of government officials.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account