The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
At every step folk carrying lamps came to meet them. By the flickering
light Anatolius read with curiosity on one of these stone flags:
"Dorotheus, son of Felix, in this place of coolness, light, and peace,
reposes" ("_requiescit in loco refrigii, luminis, pacis_"). On
another: "Brethren, disturb not my deep slumber."
The style of the inscriptions was radiant and happy: "Sophronia,
beloved, thou art alive for ever in God" ("_Sophronia, dulcis, semper
vivis Deo_"). And a little farther on: "_Sophronia vivis!_"
("Sophronia, thou livest!") as if he who had written these words had
at length realised that there was no more death.
Nowhere was it written "He is buried here," but only "Here is laid for
a certain time" (_depositus_). It seemed as if millions of people,
generation upon generation, were lying in this place, not dead, but
fallen asleep, all full of mysterious expectation. In the niches lamps
were placed. They burned in the close atmosphere with a long steady
flame and graceful vases exhaled penetrating odours. Nothing but the
faint smell of putrefying bones, which escaped by fissures in the
coffins, gave any hint of death.
The passages went down lower and lower, curved as round an
amphitheatre; and here and there in the ceiling a large aperture gave
light from _luminaria_ opening on the country without.
Sometimes a weak moon-ray passing down the _luminaria_ would strike at
the bottom on a slab of marble covered with inscriptions.
At the end of one of these passages they saw a sexton who, chanting
gaily, was hollowing the ground with heavy blows of his pick. Several
Christians were standing near the principal inspector of the tombs,
the _fossor_. He was very well dressed and had a fat cunning face. The
_fossor_ had inherited a right freely to dispose of a gallery of
catacombs, and to sell unoccupied sites in his gallery, which was all
the more appreciated because in it were buried the relics of St.
Laurence. Although rich, the _fossor_ was keenly bargaining, as they
came up, with a wealthy and miserly leather-merchant. Arsinoë stopped
a moment to hear the discussion.
"And my tomb will be far away from the relics?" the leather-dresser
was asking mistrustfully, thinking of the big sum exacted by the
_fossor_.
"No, just six cubits away."
"Above or beneath?"
"On the right-hand side, sloping down a little. It's an excellent
position; I don't ask a penny too much. Though you be as sinful as you
please, everything will be forgiven. You will go straight into the
heavenly kingdom."
With an expert hand the gravedigger took the measurements for the tomb
as a tailor measures for a coat, the leather-dresser insisting that he
should have as much room as possible in order to lie in comfort.
An old woman approached the sexton.
"What do you want, mother?"
"Here's the money--the extra payment!"
"What extra payment?"
"For the right-hand tomb."
"Ah, I see; you don't want the crooked one?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account