The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
"No; my old bones crack at the very idea of the crooked one."
In the catacombs, and especially near the relics, so much value was
set upon grave-sites that it was necessary to contrive slanting tombs
which were leased to the poor.
"God knows how long one will have to wait for the resurrection," the
old woman was explaining; "and if I took a tomb on the slant it would
be all very well to begin with, but when I got tired it wouldn't do at
all."
Anatolius listened in astonishment.
"It is much more curious than the mysteries of Mithra," he observed to
Arsinoë with a languid smile. "Pity that I didn't know it sooner. I've
never seen such an amusing cemetery."
They went on into a rather large chamber called the _cubicula of
consolation_. A multitude of small lamps were burning on the walls.
The priest was at the evening office, the stone lid of a martyr's tomb
placed under an arched vault (_arcosolium_) serving as altar. There
were many of the faithful in long white robes, every face serenely
happy. Myrrha, kneeling with eyes full of love, was gazing at the Good
Shepherd pictured on the ceiling of the chamber. In the catacombs
early Christian customs had been revived, so that after the liturgy
all present, looking on themselves as brothers and sisters, gave each
other the kiss of peace. Arsinoë following the general example with a
smile kissed Anatolius.
Then all four climbed again toward the upper storeys, whence they
could take their way to the secret retreat of Juventinus, an old pagan
tomb, a _columbarium_, lying at some distance from the Appian Way.
There, while waiting for the ship which was to take him to Egypt, the
land of holy anchorites, he was living hidden from the searches of his
mother and of government officials. He lodged with Didimus, a good old
man from the Lower Thebaïd, to whom Juventinus gave blind and
unquestioning obedience.
Here they found Didimus squatting on his heels, weaving basket-work.
The moon-rays, filtering through a narrow opening, glinted on his
white hair and long beard. From top to bottom of the walls of the
_columbarium_ were little niches like pigeons' nests, and each of
these contained a mortuary urn.
Myrrha, of whom the old man was very fond, kissed his withered hand
respectfully, and prayed him to tell her some story about the hermit
fathers of the desert. Nothing pleased her better than these wonderful
and terrible tales by Didimus.
The company grouped themselves round the white-headed old man, Myrrha
watching him with feverish eyes and feeble hands clasped to her
heaving breast. Nothing was heard save his voice and the distant hum
of Rome, when suddenly, at the inner door communicating with the
catacomb, a knock was heard.
Juventinus rose, went to the door and asked, without opening it--
"Who is there?"
No answer came, but a still gentler knock as of entreaty.
Public-domain text, read in full here on John Shaqi.
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