Music, Gard studied with one Brother Johannes, who played the little
organ in the whitewashed chapel, all white except by the altar, where
there was a distinction of gilded woodwork, silver candlesticks, and
purple cloths, and so cold in winter that one's fingers were numb on
the keys. He was an old, bowed-over man, Johannes, with frail, waxen
hands, absent-minded, apt to forget his rule and be late, and not
understand why the Superior persisted in modifying his discipline. He
feared the Superior estimated his sins too lightly, and died in the year
'52, when Gard was seventeen. Gard had to play the organ at offices
after that, and to go daily three blocks up the avenue to the church of
the Sacred Trinity, and take his lesson from Fritz Moselle, a mighty
German from Strassburg, near the Rhine. He learned many things besides
harmony and counterpoint of Fritz, who was a cosmopolitan, and believed
not in the faith of man or woman; but he believed that art was the one
country of the soul, and that in conduct it was the duty of every one to
"do as he _verdammt_ please."
"Look you, _kleiner_! In de mass--yes. Some monk he haf art in
him--Gott, yes! He found a place for his soul to live in. He know diese
vorldt was a circus, und he vas a lil' boy und can't go. He mus' stay to
home. Ach! he feel sad. Und by-and-by he compose music to a circus in
hefen, vich vas de mass you play yesterday. Aber you mus' play de Bach
fugue severe. Maybe you make a good monk, but you haf too much luxury
in your bones to play de Bach fugue, _hein_? No? Play den, p'tit
anchorite, und let each of your fingers be von of de Ten Commandments,
or Gott! you don' play him not any." The organ at Trinity was quite
another matter than the little one which wheezed plaintively in the
brotherhood's whitewashed chapel.
Once a week he had to go to the Superior and be examined, and probably
read a chapter of St. Augustine. It was a ceremony of indefinite length,
for the Superior sometimes fell into a monologue, fervid as St.
Augustine's, while walking to and fro; and Gard used to imagine the room
full of spirits and misty angels, listening--all of them--breathless,
astonished, and a little frightened; for there could not be any one who
was not afraid of the Superior, unless it were the _bonus Deus_, and
even He must be astonished. At length the great, swarthy man would lay
his hand on Gard's head--a large hand, lean and strong, and vibrating
with the throb and blast of the furnace that was in him.
Public-domain text, read in full here on John Shaqi.
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