So Gard became organist at Saint Mary's in Hamilton, in the fall of '55,
and in time a noted young person. In the immediate years that followed,
the old life came to seem hardly more than a vivid dream, or a story
told him by another man who had never left the brothers, but was still
playing for offices and hurrying along white corridors. He had time on
his hands, and read eagerly, and his rooms grew littered like Fritz
Moselle's. He hardly knew what he was himself, except a kind of highway,
along which the thoughts of other men, and emotions that he might claim
his own since they came from nowhere in particular, travelled hastily.
It was something additional to that sense common to humanity of
existence as a hurried journey from the unknown to the unknown, his
ignorance of his antecedents back of the Foundlings' Hospital. Yet he
seemed to feel no curiosity about them. They had no claim upon him,
those antecedents, and he had none to them that he cared to put forward.
The past might bury its wrecks if it could. His name might be a clue, or
it might be the effort of an inventive or reminiscent nurse. He never
inquired and never knew, then or thereafter, but was content to have and
possess it, as something that had floated ashore with him and served
well the purposes of a name. After all, the mortal millions have their
severance from each other ruled with not so great a difference in point
of isolation, and with the same "salt, estranging sea." Each is for
himself the centre of things; the currents of the deep swing round him;
he is alone with his main issues.
Gard saw a place and repute slowly forming for him, and had almost come
to see himself a citizen of Hamilton, the straight road of a quiet life
stretching before him under a cool gray sky. Moselle, whom he went down
into the greater city to see now and then, doubted that outcome.
One night in January he came down Charles Street towards the church. He
had fallen into the habit of playing an hour or two in the latter part
of the evening, and people in the neighborhood had accepted the custom.
Some formed habits of their own to meet it, and went to their windows
regularly about nine to hark whether he played that night. It was not
an agreement, but the silent adaptation in close communities of habit
to habit.
The snow was falling, blown by a keen wind, and the great side window of
Mrs. Mavering's house glowed warmly through the sharp, slanting lines of
the snow. It occurred to him that he would rather talk to Mrs. Mavering
that night than summon only spectral visitations from Saint Mary's
organ. At that moment Helen clung with warm fingers to Mrs. Mavering's
hand, saying, "I shall call you Lady Rachel, because you're beautiful."
Chapter VIII
Of Mrs. Mavering, and of the Philosophy of the Individual
Helen put her forehead against the cold window.
"It's snowing. Do you think he'll play to-night? But he would if he knew
we wanted to hear him, wouldn't he?"
Public-domain text, read in full here on John Shaqi.
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