I had, in truth, begun to feel the least bit alarmed at the rate at
which the money was going. Kitchens, I learned, cost like the dickens;
but, as Evie frugally extinguished the candles again and led me down
into her special province, I could not deny that that looked pretty too,
with its bright tins, hanging jugs, overlapping rows of plates and
saucers and the new linoleum of its floor. The dining-room, into which
(as Evie said) "all the dirt was brought," had been left until the last,
and was knee-deep in straw, torn packing-paper, split box-lids and cut
string, and of course I grumbled again that good brown paper had been
torn and useful string spoiled, until I was brought into good temper
again by being allowed another peep at the lighted drawing-room--this
time without Aunt Angela.
V
We were to be married at half-past ten on the following Saturday morning
but one, at St. George's, Hart Street, Bloomsbury. We had chosen a
Saturday because of our honeymoon, which was to be a steamboat trip
either down the river to Greenwich or up the river to Hampton Court--we
had not decided which. A good friend of mine, Sydney Pettinger, who had
given me my start with F.B.C., had promised to give Evie away. Pepper
would have done so, but Pepper always dazzled Evie a little. He was
almost inhumanly never at a loss for a word.
Our little house was now quite ready. They had left me not so much as a
chair in my room near the Cobden Statue. My pallet bed and my
shaving-tackle were about all that remained within its walls, and I was
on the point of disposing of the bed as it stood to a dealer in Queen's
Crescent, when Billy Izzard proposed to me that he should take over the
place.
Let me describe Billy Izzard as he was then--as he still to a great
extent is for the matter of that, for his innumerable quarrels with
dealers and intransigence on hanging committees have resulted in his
being less well known than the high quality of his painting warrants. He
was a tall, double-jointed, monkey-up-a-stick of a lad of twenty-four,
with well-shaped features that always seemed a little larger than the
ordinary (as if you saw them through a very weak lens), and two or three
distinct voices, the most startling of which was the sudden, imperious
tone into which he broke when he "saw" something--saw it absolute, in
the flat, and as if it had never been seen before--but possibly you know
his painting. He had exquisite manners, which he never used; he dressed
in tweeds that made my own shaggy garments look like the finest
broadcloth--they always seemed stuck over with fishing-flies; and, a
sufficiently large studio being beyond his means until he should cease
to quarrel with his bread and butter, he too had discovered the
advantages of the large rooms that are to be found over shops.
Public-domain text, read in full here on John Shaqi.
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