The decadent : $b being the gospel of inaction : wherein are set forth in romance form certain reflections touching the curious characteristics of these ultimate years, and the divers causes thereof — John Shaqi
The decadent : $b being the gospel of inaction : wherein are set forth in romance form certain reflections touching the curious characteristics of these ultimate years, and the divers causes thereofCram, Ralph Adams
Philosophy
The decadent : $b being the gospel of inaction : wherein are set forth in romance form certain reflections touching the curious characteristics of these ultimate years, and the divers causes thereof
Cram, Ralph Adams
Fiction
The stubby pipe sucked and sputtered, and McCann knocked the ashes into
the road. They had driven already nearly an hour, and he was growing
impatient; "how much farther had they to go?" He asked the coachman, who
only replied, "Just a fractional bit further, suh," which was
indefinite. They left the highway and struck into a hilly road where the
hedgerows grew thick on either side, with rough pastures beyond, on the
one hand, and on the other thick and ancient pine forests, where the
low sunlight struck under the sighing branches and rested on mossy
boulders and level patches of golden ferns. Now and then a grey
farmhouse appeared in its orchard, and once they passed a dingy white
meeting-house, with pointed wooden spikes on the four corners of its
belfry, its green blinds faded a sickly yellow. Just beyond they met the
country milk-team with its cantering horses and clattering cans, the
driver nodding on his seat, with a watchful collie beside him. Then the
pastures on the right ended, and they plunged into deep forests, black,
almost lightless, where the road wound like the bed of a dry torrent in
a vast green cañon. The carriage climbed steeply up the rocky road, with
no sound around but the rattle of pebbles under the feet of the horses,
and the melancholy calling of the wood thrushes. On the crown of the
hill heavy wrought-iron gates closed their passage, gates that swung
back slowly as the footman whistled twice. They passed through, turned
sharply to the left, and in a flash were out of the forest.
Malcolm McCann had not a very keen sense of beauty, but even to him the
vision that lay before him startled him into sudden enthusiasm. They
were riding along the comb of a ridge of high hills thick with ink-black
pine forests to the left, while to the right they swept down in gracious
undulations into a basin-shaped valley, the level floor of which was, it
may be, something over a thousand acres in extent, shaped like an
elongated ellipse, with lofty hills rising on all sides.
The sun dropped down and lay on the edge of the world; from the farther
side of the valley it poured a suave, golden glory of molten light down
over the purple, serrated hills, that lay in the valley like amber wine.
Smooth fields of ripening grain and velvet meadow-land chequered the
valley irregularly, slim elms and dark, heavy oaks rising among them. In
the midst, curling like level smoke, wound a narrow river with black
poplars and golden chestnut-trees leaning above. In all the valley was
no sign of a dwelling save far away at the distant end, where from the
midst of thick foliage rose dark roofs and towers and chimneys, as of
some château on the Loire.
McCann caught his breath. "Is that the place?" he said quickly.
"Suh, that is Vita Nuova," answered the footman.
II.
Public-domain text, read in full here on John Shaqi.
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