Jehannot, who looked for a directly contrary conclusion to this, was the joyfullest man that might be, when he heard him speak thus, and repairing with him to our Lady's Church of Paris, required the clergy there to give Abraham baptism. They, hearing that the Jew himself demanded it, straightway proceeded to baptize him, whilst Jehannot raised him from the sacred font[45] and named him Giovanni. After this, he had him thoroughly lessoned by men of great worth and learning in the tenets of our holy faith, which he speedily apprehended and thenceforward was a good man and a worthy and one of a devout life." [Footnote 45: _i.e._ stood sponsor for him.] THE THIRD STORY [Day the First] MELCHIZEDEK THE JEW, WITH A STORY OF THREE RINGS, ESCAPETH A PARLOUS SNARE SET FOR HIM BY SALADIN Neifile having made an end of her story, which was commended of all, Filomena, by the queen's good pleasure, proceeded to speak thus: "The story told by Neifile bringeth to my mind a parlous case the once betided a Jew; and for that, it having already been excellent well spoken both of God and of the verity of our faith, it should not henceforth be forbidden us to descend to the doings of mankind and the events that have befallen them, I will now proceed to relate to you the case aforesaid, which having heard, you will peradventure become more wary in answering the questions that may be put to you. You must know, lovesome[46] companions[47] mine, that, like as folly ofttimes draweth folk forth of happy estate and casteth them into the utmost misery, even so doth good sense extricate the wise man from the greatest perils and place him in assurance and tranquillity. How true it is that folly bringeth many an one from fair estate unto misery is seen by multitude of examples, with the recounting whereof we have no present concern, considering that a thousand instances thereof do every day manifestly appear to us; but that good sense is a cause of solacement I will, as I promised, briefly show you by a little story. [Footnote 46: Lit. amorous (_amorose_), but Boccaccio frequently uses _amoroso_, _vago_, and other adjectives, which are now understood in an active or transitive sense only, in their ancient passive or intransitive sense of lovesome, desirable, etc.] [Footnote 47: _Compagne_, _i.e._ she-companions. Filomena is addressing the female part of the company.]