The Decameron was among the earliest of printed books, Venice leading the way with a folio edition in 1471, Mantua following suit in 1472, and Vicenza in 1478. A folio edition, adorned, with most graceful wood- engravings, was published at Venice in 1492. Notwithstanding the freedom with which in divers passages Boccaccio reflected on the morals of the clergy, the Roman Curia spared the book, which the austere Savonarola condemned to the flames. The tradition that the Decameron was among the pile of "vanities" burned by Savonarola in the Piazza della Signoria on the last day of the Carnival of 1497, little more than a year before he was himself burned there, is so intrinsically probable--and accords so well with the extreme paucity of early copies of the work--that it would be the very perversity of scepticism to doubt it. It is by no means to the credit of our country that, except to scholars, it long remained in England, an almost entirely closed book. (2) Indeed the first nominally complete English translation, a sadly mutilated and garbled rendering of the French version by Antoine Le Macon, did not appear till 1620, and though successive redactions brought it nearer to the original, it remained at the best but a sorry faute de mieux. Such as it was, however, our forefathers were perforce fain to be content with it. The first Englishman to render the whole Decameron direct from the Italian was Mr. John Payne; but his work, printed for the Villon Society in 1886, was only for private circulation, and those least inclined to disparage its merits may deem its style somewhat too archaic and stilted adequately to render the vigour and vivacity of the original. Accordingly in the present version an attempt has been made to hit the mean between archaism and modernism, and to secure as much freedom and spirit as is compatible with substantial accuracy. (1) As to the palaces in which the scene is laid, Manni (Istoria del Decamerone, Par. ii. cap. ii.) identifies the first with a villa near Fiesole, which can be no other than the Villa Palmieri, and the second (ib. cap. lxxvi.) with the Podere della Fonte, or so-called Villa del Boccaccio, near Camerata. Baldelli's theory, adopted by Mrs. Janet Ann Ross (Florentine Villas, 1901), that the Villa di Poggio Gherardi was the first, and the Villa Palmieri the second, retreat is not to be reconciled with Boccaccio's descriptions. The Villa Palmieri is not remote enough for the second and more sequestered retreat, nor is it, as that is said to have been, situate on a low hill amid a plain, but on the lower Fiesolean slope. The most rational supposition would seem to be that Boccaccio, who had seen many a luxurious villa, freely combined his experiences in the description of his palaces and pleasaunces, and never expected to be taken au pied de la lettre.