The Deceased Wife's Sister, and My Beautiful Neighbour, v. 3Russell, William Clark
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The Deceased Wife's Sister, and My Beautiful Neighbour, v. 3
Russell, William Clark
English fiction -- 19th century
"There is her house, or rather there is its position," said I, pointing
to the trees. "Do you see that hedge? She was gliding alongside it
when I saw her. Martelli, picture yourself alone here; disposed by the
drowsy moonlight and vague murmurs in the air to unpleasant thoughts.
Suddenly a white dim shape flits upon the gloom, pauses, vanishes, to
reappear at your elbow--would you not use your legs?"
His white teeth shone beneath his black moustache.
"No. It would probably be the other who would use its legs. I should
seize it--man or woman, angel or goblin!"
"Then your nerves must be of galvanised wire, your muscles iron, your
spirit something more surprising than the timid essence that vitalises
such a lower order of being as I."
He smoked the cheroot I had given him, without response.
I lay back with my head reposing on my arm, my eyes fixed on the stars.
"Look!" he suddenly cried; "there is your spirit!"
I started--rose to my feet at once. She stood, habited as I had before
seen her, at the gate of the garden, motionless.
Martelli advanced, paused, beckoned. I went to him.
"Shall we go to her?" he whispered. "If she sees us she will withdraw."
"She will not see us."
He laughed low.
"She must be blind if she doesn't. But now is your opportunity to speak
with her. Come with me--be bold, Sir. This is a rare chance. Should she
not see us until we are near, and then attempt to withdraw, accost her
bravely. Tell her you have met her here before--acquaint her with your
alarm. The rest is easy."
He moved forward; I followed. The moon gave us sharp, short shadows. I
breathed quickly. He heard my pantings, and took my arm.
She stood confronting us; but she did not stir. We drew near. I who
knew her face, could shape from the countenance, whose lineaments
were yet too dim to discern, the sorrowful sovereign eyes and immobile
beauty.
Suddenly Martelli stopped short. I looked at him. He was staring and
trembling. His breath seemed to die. His eyes were round and lively
with an expression that seemed to me akin to horror. I heard him gasp
"_Dio mio! Dio mio!_" several times.
Somehow the failure of his courage was the renewal of mine. Much of
her mystery had at least fallen from this woman. I knew who she was,
at all events. But how strange, how startling was it to see her gazing
steadfastly in our direction, and not offering to move.
I whispered to Martelli: "Come, come! where are your nerves?" He could
not answer me. There he stood, rooted to the ground, with his face in
the moonlight blanched to the colour of a corpse.
At this moment the figure turned, made a gesture with her right hand
and withdrew.
Public-domain text, read in full here on John Shaqi.
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