Kinds of human representation, p. 259. Portraiture, Contrition, Syntax, p. 261. The heads of Classical statuary, p. 264. Portrayal of children and women, p. 266. Hellenistic portraiture, p. 269. The Baroque portrait, p. 272. Leonardo, Raphael and Michelangelo overcome the Renaissance, p. 273. Victory of Instrumental Music over Oil-Painting, corresponding to the victory of Statuary over Fresco in the Classical, p. 282. Impressionism, p. 285. Pergamum and Bayreuth, p. 291. The finale of Art, p. 293. CHAPTER IX. SOUL-IMAGE AND LIFE-FEELING. (1) ON THE FORM OF THE SOUL 297 Soul-image as function of World-image, p. 299. Psychology of a counter-physics, p. 302. Apollinian, Magian and Faustian soul- image, p. 305. The “Will” in Gothic space, p. 308. The “inner” mythology, p. 312. Will and Character, p. 314. Classical posture tragedy and Faustian character tragedy, p. 317. Symbolism of the drama-image, p. 320. Day and Night Art, p. 324. Popular and esoteric, p. 326. The astronomical image, p. 329. The geographical horizon, p. 332. CHAPTER X. SOUL-IMAGE AND LIFE-FEELING. (2) BUDDHISM, STOICISM, AND SOCIALISM 339 The Faustian morale purely dynamic, p. 341. Every Culture has a form of morale proper to itself, p. 345. Posture-morale and will- morale, p. 347. Buddha, Socrates, Rousseau as protagonists of the dawning Civilizations, p. 351. Tragic and plebeian morale, p. 354. Return to Nature, Irreligion, Nihilism, p. 356. Ethical Socialism, p. 361. Similarity of structure in the philosophical history of every Culture, p. 364. The Civilized philosophy of the West, p. 365. CHAPTER XI. FAUSTIAN AND APOLLINIAN NATURE-KNOWLEDGE 375 Theory as Myth, p. 377. Every Natural Science depends upon a preceding Religion, p. 391. Statics, Alchemy, Dynamics as the theories of three Cultures, p. 382. The Atomic theory, p. 384. The problem of motion insoluble, p. 388. The style of causal process and experience, p. 391. The feeling of God and the knowing of Nature, p. 392. The great Myth, p. 394. Classical, Magian and Faustian _numina_, p. 397. Atheism, p. 408. Faustian physics as a dogma of force, p. 411. Limits of its theoretical (as distinct from its technical) development, p. 417. Self- destruction of Dynamics, and invasion of historical ideas; theory dissolves into a system of morphological relationships, p. 420. INDEX _Following page_ 428 TABLES ILLUSTRATING THE COMPARATIVE _At end of volume_ MORPHOLOGY OF HISTORY ------------------------------------------------------------------------