The decline of the West, Volume 1 : $b Form and actualitySpengler, Oswald
Philosophy
The decline of the West, Volume 1 : $b Form and actuality
Spengler, Oswald
Civilization -- History
II
APOLLINIAN, FAUSTIAN AND MAGIAN SOUL
CHAPTER VI
MAKROKOSMOS
II
APOLLINIAN, FAUSTIAN AND MAGIAN SOUL
I
Henceforth we shall designate the soul of the Classical Culture, which
chose the sensuously-present individual body as the ideal type of the
extended, by the name (familiarized by Nietzsche) of the _Apollinian_.
In opposition to it we have the _Faustian_ soul, whose prime-symbol is
pure and limitless space, and whose “body” is the Western Culture that
blossomed forth with the birth of the Romanesque style in the 10th
century in the Northern plain between the Elbe and the Tagus. The nude
statue is Apollinian, the art of the fugue Faustian. Apollinian are:
mechanical statics, the sensuous cult of the Olympian gods, the
politically individual city-states of Greece, the doom of Œdipus and the
phallus-symbol. Faustian are: Galileian dynamics, Catholic and
Protestant dogmatics, the great dynasties of the Baroque with their
cabinet diplomacy, the destiny of Lear and the Madonna-ideal from
Dante’s Beatrice to the last line of _Faust II_. The painting that
defines the individual body by contours is Apollinian, that which forms
space by means of light and shade is Faustian—this is the difference
between the fresco of Polygnotus and the oil painting of Rembrandt. The
Apollinian existence is that of the Greek who describes his ego as
_soma_ and who lacks all idea of an inner development and therefore all
real history, inward and outward; the Faustian is an existence which _is
led_ with a deep consciousness and introspection of the ego, and a
resolutely personal culture evidenced in memoirs, reflections,
retrospects and prospects and conscience. And in the time of Augustus,
in the countries between Nile and Tigris, Black Sea and South Arabia,
there appears—aloof but able to speak to us through forms borrowed,
adopted and inherited—the Magian soul of the Arabian Culture with its
algebra, astrology and alchemy, its mosaics and arabesques, its
caliphates and mosques, and the sacraments and scriptures of the
Persian, Jewish, Christian, “post-Classical” and Manichæan religions.
Public-domain text, read in full here on John Shaqi.
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