The decline of the West, Volume 1 : $b Form and actuality — John Shaqi
The decline of the West, Volume 1 : $b Form and actualitySpengler, Oswald
Philosophy
The decline of the West, Volume 1 : $b Form and actuality
Spengler, Oswald
Civilization -- History
After the destruction of Athens by the Persians, all the older art-works
were thrown on the dustheap (whence we are now extracting them), and we
do not hear that anyone in Hellas ever troubled himself about the ruins
of Mycenæ or Phaistos for the purpose of ascertaining historical facts.
Men read Homer but never thought of excavating the hill of Troy as
Schliemann did; for what they wanted was myth, not history. The works of
Æschylus and those of the pre-Socratic philosophers were already
partially lost in the Hellenistic period. In the West, on the contrary,
the piety inherent in and peculiar to the Culture manifested itself,
five centuries before Schliemann, in Petrarch—the fine collector of
antiquities, coins and manuscripts, the very type of historically-
sensitive man, viewing the distant past and scanning the distant
prospect (was he not the first to attempt an Alpine peak?), living in
his time, yet essentially not of it. The soul of the collector is
intelligible only by having regard to his conception of Time. Even more
passionate perhaps, though of a different colouring, is the collecting-
bent of the Chinese. In China, whoever travels assiduously pursues “old
traces” (Ku-tsi) and the untranslatable “Tao,” the basic principle of
Chinese existence, derives all its meaning from a deep historical
feeling. In the Hellenistic period, objects were indeed collected and
displayed everywhere, but they were curiosities of mythological appeal
(as described by Pausanias) as to which questions of date or purpose
simply did not arise—and this too in the very presence of Egypt, which
even by the time of the great Thuthmosis had been transformed into one
vast museum of strict tradition.
Amongst the Western peoples, it was the Germans who discovered the
mechanical _clock_, the dread symbol of the flow of time, and the chimes
of countless clock towers that echo day and night over West Europe are
perhaps the most wonderful expression of which a historical world-
feeling is capable.[8] In the timeless countrysides and cities of the
Classical world, we find nothing of the sort. Till the epoch of
Pericles, the time of day was estimated merely by the length of shadow,
and it was only from that of Aristotle that the word ὥρα received the
(Babylonian) significance of “hour”; prior to that there was no exact
subdivision of the day. In Babylon and Egypt water-clocks and sun-dials
were discovered in the very early stages, yet in Athens it was left to
Plato to introduce a practically useful form of clepsydra, and this was
merely a minor adjunct of everyday utility which could not have
influenced the Classical life-feeling in the smallest degree.
Public-domain text, read in full here on John Shaqi.
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