The decline of the West, Volume 1 : $b Form and actualitySpengler, Oswald
Philosophy
The decline of the West, Volume 1 : $b Form and actuality
Spengler, Oswald
Civilization -- History
“Mankind,” however, has no aim, no idea, no plan, any more than the
family of butterflies or orchids. “Mankind” is a zoological expression,
or an empty word.[17] But conjure away the phantom, break the magic
circle, and at once there emerges an astonishing wealth of _actual_
forms—the Living with all its immense fullness, depth and movement—
hitherto veiled by a catchword, a dryasdust scheme, and a set of
personal “ideals.” I see, in place of that empty figment of _one_ linear
history which can only be kept up by shutting one’s eyes to the
overwhelming multitude of the facts, the drama of _a number_ of mighty
Cultures, each springing with primitive strength from the soil of a
mother-region to which it remains firmly bound throughout its whole
life-cycle; each stamping its material, its mankind, in _its own image_;
each having _its own_ idea, _its own_ passions, _its own_ life, will and
feeling, _its own_ death. Here indeed are colours, lights, movements,
that no intellectual eye has yet discovered. Here the Cultures, peoples,
languages, truths, gods, landscapes bloom and age as the oaks and the
stone-pines, the blossoms, twigs and leaves—but there is no ageing
“Mankind.” Each Culture has its own new possibilities of self-expression
which arise, ripen, decay, and never return. There is not _one_
sculpture, _one_ painting, _one_ mathematics, _one_ physics, but many,
each in its deepest essence different from the others, each limited in
duration and self-contained, just as each species of plant has its
peculiar blossom or fruit, its special type of growth and decline. These
cultures, sublimated life-essences, grow with the same superb
aimlessness as the flowers of the field. They belong, like the plants
and the animals, to the living Nature of Goethe, and not to the dead
Nature of Newton. I see world-history as a picture of endless formations
and transformations, of the marvellous waxing and waning of organic
forms. The professional historian, on the contrary, sees it as a sort of
tapeworm industriously adding on to itself one epoch after another.
Public-domain text, read in full here on John Shaqi.
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