Now arose in the Persian, the Mandæan, the Jewish, the Christian, circles of belief, and in that of the Western Pseudomorphosis as well--just as in the Indian, the Classical, and the Western ages of Chivalry--the Grand Myth. In this Arabian Culture religious and national heroism are no more distinctly separable than nation, church, and state, or sacred and secular law. The prophet merges with the fighter, and the story of a great Sufferer rises to the rank of a national epic. The powers of light and darkness, fabulous beings, angels and devils, Satan and the good spirits wrestle together; all nature is a battle-ground from the beginning of the world to its annihilation. Down below in the world of mankind are enacted the adventures and sufferings of the heralds, the heroes, and the martyrs of religion. Every nation, in the sense of the word attaching to this Culture, possessed its heroic saga. In the East the life of the Persian prophet inspired an epic poetry of grand outlines. At his birth the Zarathustra-laughter pealed through the heavens, and all nature echoed it. In the West the suffering of Jesus, ever broadening and developing, became _the veritable epic of the Christian nation_, and by its side there grew up a chain of legends of his childhood which in the end fructified a whole genre of poetry. The figure of the Mother of God and the deeds of the Apostles became, like the stories of the Western Crusade-heroes, the centre of extended romances (Acts of Thomas, Pseudo-Clementines) which in the second century sprang up everywhere from the Nile to the Tigris. In the Jewish Haggada and in the Targums is brought together a rich measure of legends about Saul, David, the Patriarchs, and the great Tannaim, like Schuda and Akiba,[441] and the insatiable fancy of the age seized also upon what it could reach of the Late-Classical cult-legends and founder-stories (lives of Pythagoras, Hermes, Apollonius of Tyana).