CARILLON 1. America 2. Song of Faith 3. Rock of Ages 4. The Holy City 5. In the Garden 6. When They Ring the Golden Bells 7. Goin’ Home 8. Great God of Nations 9. In a Monastery Garden 10. The Bells of London 11. The Bells of St. Mary’s 12. Ah! Sweet Mystery of Life 13. Pilgrim’s Chorus 14. Land of Hope and Glory 15. Jesu, Joy of Man’s Desiring 16. Rhapsody for Bells CELESTRON 1. Glorious Things of Thee Are Spoken (Haydn) World Choristers 2. Spanish Caprice (Rimsky-Korsakoff) Cincinnati Summer Opera Orchestra 3. Come Where My Love Lies Dreaming (Foster) Jesse Crawford, Organist 4. Fight On (Sweet and Grant) Frank Westerfield Band 5. The Hills of Home (Fox) Nelson Eddy, Baritone 6. King Cotton March (Sousa) Frank Westerfield Band 7. I’m Falling in Love With Someone (Herbert) Jane Marcy and Roland Smythe 8. Flapperette (Greer) Wilson Ames, Organist 9. Just A-Wearyin’ for You (Bond) Walter Preston, Baritone 10. Waltzing Doll (Poldini) Daniel Lieberfeld Orchestra 11. The Star-Spangled Banner CELESTRON An especially designed amplifying installation for the playing of recorded music. 32 high-fidelity speakers. Uniform frequency range from 50 to 15,000 cycles. Total operating power—5,500 watts. Bronze Galeria 12 ft. in width; located 35 ft. above terrace. Record player in Console Room. Control panels in Power Room. [Illustration: The sectional diagram at the left shows the construction and arrangement of the Carillon both above and below ground. The map shows location and parking area.] Number of bells 32 Total weight of bell chandelier 32 tons Diameter smallest bell 1 ft. 6 in. Diameter largest bell 6 ft. Height of tower above terrace 151 ft. 6 in. Height of tower from bottom of 183 ft. 7 in. foundation Construction: Indiana Limestone with Granite Base. 1 _Chandelier of bells_ 2 _Galeria for Celestron_ 3 _Carillon Console Room and Celestron Record Player_ 4 _Power Room_ 5 _Basement_ A most spectacular step in bell-making comes when the copper and tin are melted and mixed in the oil furnace, brought to just the proper temperature, and then carried in a huge ladle from which the molten alloy is poured into the mold. Larger bells are kept buried in dirt for days after the casting to retard their cooling. Sometimes weeks go by before the bell can be “shaken out” and the founder gets the final check on the accuracy of his calculations.