Kerry, the midwife, who was nurse as well, carried the child to church,
and the tiny red burden lay cooing softly at her breast in a very
hillock of white swaddlings. Thorkell walked behind, his little eyes
twinkling under his bushy eyebrows; and on his arm his wife leaned
heavily after every feeble step, her white waxwork face bright with the
smile of first motherhood.
The Archdeacon met the company at the west porch and they gathered for
the baptism about the font in the aisle: half-blind Kerry with the
infant, Thorkell and his young wife, the two godfathers, the Vicar
General and the High Bailiff of Peeltown, and the godmother, the High
Bailiff's wife, and behind this circle a mixed throng of many sorts.
After the gospel and the prayers, the Archdeacon, in his white surplice,
took the infant into his hands and called on the godparents to name the
child, and they answered Ewan. Then, as the drops fell over the wee
blinking eyes, and all voices were hushed in silence and awe, there came
to the open porch and looked into the dusky church a little fleecy lamb,
all soft and white and beautiful. It lifted its innocent and dazed face
where it stood in the morning sunshine, on the grass of the graves, and
bleated, and bleated, as if it had strayed from its mother and was lost.
The Archdeacon paused with his drooping finger half raised over the
other innocent face at his breast, Thorkell's features twitched, and the
tears ran down the white cheeks of his wife.
In an instant the baby-lamb had hobbled away, and before the Archdeacon
had restored the child to the arms of blind Kerry or mumbled the last of
the prayers, there came the hum of many voices from the distance. The
noise came rapidly nearer, and as it approached it broke into a great
tumult of men's deep shouts and women's shrill cries.
The iron hasp of the lych-gate to the churchyard was heard to chink, and
at the same moment there was the sound of hurrying footsteps on the
paved way. The company that had gathered about the font broke up
abruptly, and made for the porch with looks of inquiry and amazement.
There, at the head of a mixed throng of the riff-raff of the parish,
bareheaded men, women with bold faces, and children with naked feet, a
man held a young woman by the arm and pulled her toward the church. He
was a stalwart fellow, stern of feature, iron gray, and he gripped the
girl's bare brown arm like a vise.
"Make way there! Come, mistress, and no struggling," he shouted, and he
tugged the girl after him, and then pushed her before him.
She was young; twenty at most. Her comely face was drawn hard with lines
of pain; her hazel eyes flashed with wrath; and where her white
sun-bonnet had fallen back from her head on to her shoulders, the knots
of her dark hair, draggled and tangled in the scuffle, tumbled in masses
over her neck and cheeks.
It was Mally Kerruish, and the man who held her and forced her along was
the parish sumner, the church constable.
Public-domain text, read in full here on John Shaqi.
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