The house was admirably arranged. The great central room, with doors back
and front, was called the lounge, and served as both hall and living
room. Off this were two smaller rooms: the card room and the music room.
To one side of these rooms were the bedrooms, and on the other side, the
dining room and kitchen quarters.
The furnishings were simple and attractive, with no “Mission” pieces or
attempts at camping effects.
I sat down on a wide davenport beside Lora, and said, tentatively:
“I believe you and I agree in our estimate of the Dallas beauty.”
“Then you have real good sense,” exclaimed Lora, heartily. “Kee won’t see
her as I do.”
“I won’t either,” put in Maud Merrill. “It’s disgraceful to knock a woman
just because she’s going to marry a rich man. Rich men want wives as well
as poor men. I’m all for Katherine Dallas. You’re jealous, Lora, because
she is so beautiful.”
Lora only smiled at this, and said:
“I’ve really nothing against her, except that I believe she had Alma
turned out of her uncle’s house.”
“And why not?” demanded Maud Merrill. “No house is big enough for two
families; and though I don’t know Miss Remsen well at all, I do know that
she is a girl of strong will and decided opinions. They’d never be happy
if Alma stayed there.”
“I can’t say as to all that,” I put in, determined to have my word, “but
I think, with Lora, that the Dallas is a lady of deep finesse and
Machiavellian cleverness.”
“Yes, just that!” cried Keeley Moore’s wife.
“Well, then,” said Maud, “if she snared that millionaire by her
cleverness, she deserves her reward. And she deserves a peaceful home,
which I doubt she’d have with a young girl bossing around, too.”
“Oh, you women!” and Moore wrung his hands in mock despair, “you’re
making up all this. You don’t know a thing about it, really.”
“We can see,” said Lora, sagely. “And there’s no use prolonging this
futile discussion. Time will show you how right I am, and meantime, we’d
better all go to bed.”
CHAPTER II
THE GIRL IN THE CANOE
My room at Variable Winds was cheery and comfortable. Bright-hued
curtains, painted furniture and bowls full of exquisitely tinted
California poppies gave the place a colourful effect that pleased my
aesthetic tastes. A perfectly appointed bathroom added to my content and
I concluded I would stay with the Moores as long as I could keep my
welcome in good working order.
Keeley Moore was one of the best if not the best known detectives of the
day, and while a quiet vacation would do him good, I was certain he was
already itching to get back to his problems and mysteries, with which the
city always supplied him.
I threw off my coat and put on a dressing gown, for the lake breezes were
chill, and sat at a window for a final smoke.
I felt at peace with the world. Some houses give you that feeling, just
as some others make you unreasonably nervous and irritable.
Public-domain text, read in full here on John Shaqi.
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