The Deep Sea's TollConnolly, James B. (James Brendan)
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The Deep Sea's Toll
Connolly, James B. (James Brendan)
Sea stories, American; Seafaring life -- Fiction; Short stories, American
Exactly what that something was Peter could not say. Queer inner
workings were not to be argued as if they were Trust or Tariff
questions; but this vessel--and she certainly was an able vessel--and
the vessel just before her was an able vessel too--both these vessels,
he might say, tearing around the Point, rails buried and booms dragging,
did suggest in some way Peter couldn’t quite reason out, that his
intended little voyage was a good idea.
It had been ever so with Peter. Never one of his favorites came swinging
in before a breeze that he did not begin to get nervous. So, having
made a note of the _Colleen Bawn_, Tom O’Donnell master, under a note
of the _Nannie O_, Tommie Ohlsen master, and seeing nothing further to
hinder he just the same as conferred a decoration on the most
meritorious of his volunteer staff by giving him full charge of the
tower while he should be gone. Then, with conscience clear, he climbed
down the winding back stairs and out onto the street.
In and about among the wharves did Peter jog under easy sail until he
felt somewhat more rested. He was, indeed, about to return to Crow’s
Nest, but happening to glance down Duncan’s Dock, he made out Dexter
Warren painting dories under the lee of the long shed. “Miracles!”
murmured Peter, “Dexter’s workin’.” Picking his course over the planks
of the dock, tacking in and out among the fish flakes, empty hogsheads
and old broken spars, Peter noticed Dexter step away from his dories,
raise his hands to his eyes, take a squint across the harbor, shake his
head sadly, come back and resume his dory-painting.
But resumed it leisurely, for Dexter, as everybody in Gloucester that
knew him knew, was not the man to do things in a bull-headed way. That
some men painted portraits with less care than Dexter painted bankers’
dories was readily believed by anyone who had ever seen Dexter painting
dories. Dexter would have told you that the dories were the more useful.
He was now putting in the discriminating touches that distinguish the
type of man who works for something other than the money there is in it.
It was the precise little dab of the brush here and a deft little flirt
of the wrist there, and the holding of the head first to one side and
then the other, that caught the eye of Peter when he rounded to under
Dexter’s quarter and hailed.
“Hulloh, Dexter-boy, and what’s it you’re paintin’?”
“Miniachoors--miniachoors on iv’ry,” responded Dexter, with brush
suspended at arm’s length, and himself swinging slowly around. He had
some more little repartee on the tip of his tongue, but seeing who it
was he forgot it, and “Hulloh, Peter,” he said instead, “and what ever
druv you out this mornin’?”
“I dunno. The confinement, maybe.”
“Ah, that’s bad--too much confinement.”
“That’s what I was thinkin’ myself. For who are the dories?”
“Captain O’Donnell.”
Public-domain text, read in full here on John Shaqi.
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