The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."Clephan, R. Coltman (Robert Coltman)
History
The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."
Clephan, R. Coltman (Robert Coltman)
Armor; Weapons
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THE DEFENSIVE ARMOUR AND THE WEAPONS AND ENGINES OF WAR OF MEDIÆVAL
TIMES, AND OF THE “RENAISSANCE.”
[Illustration: Fig. 1.--Transitional Gothic Suit at Munich.]
THE DEFENSIVE ARMOUR
AND THE WEAPONS AND
ENGINES OF WAR OF
MEDIÆVAL TIMES, AND
OF THE “RENAISSANCE.”
BY
ROBERT COLTMAN CLEPHAN,
OF SOUTHDENE TOWER, GATESHEAD.
With 51 Illustrations from Specimens in his own and in other
English Collections, and also from others in some of
the Great Collections of Europe.
LONDON: WALTER SCOTT, LIMITED,
PATERNOSTER SQUARE.
1900.
PREFACE.
This volume has grown out of some “notes” printed in the _Archæologia
Æliana_ in 1898, and added to as any new facts and lights presented
themselves to me. The text is compressed as much as possible, with a
view to publishing at a moderate cost; and as a more general interest
in arms and armour is decidedly growing, I venture to hope that this
volume, however imperfect, may supply a want, and that it does not
contain too many manifest errors and inaccuracies. The subject is
treated chronologically, and no further detail entered into than seemed
necessary for presenting it in a consecutive and concrete form.
All students, myself among the number, owe much to those experts whose
original research and delineation of nice points of detail go to
make history in the several branches of my subject, and it is to be
regretted that more of them do not undertake further comprehensive work.
Defensive armour is the section I am most conversant with, and it is
perhaps the one affording the most concrete materials for chronological
classification and analysis.
The question of the weapons of the “middle ages” and of the
“renaissance,” their chronology, description and classification, is
far from being in a satisfactory state. There are no books dealing
with the subject as a whole, and many of the “notes” and “papers” I
have seen spread over many years are, most of them, very sectional
and fragmentary in their scope and character. Technical terms vary
exceedingly among the different writers, and some more generally
intelligible codification is very desirable. International it cannot
be, as Germany naturally has her own terms, while those of England are
perhaps as necessarily mixed up with Norman-French.
Public-domain text, read in full here on John Shaqi.
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