The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."Clephan, R. Coltman (Robert Coltman)
History
The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."
Clephan, R. Coltman (Robert Coltman)
Armor; Weapons
These manuscripts, however, must not be taken as conclusive. On the
contrary, they really represent what is now considered to be a late
stage of mixed armour. An Italian example figured in Hewitt (Plate
XXVII.) shows the statue of a knight in a church at Naples (1335). He
wears a hauberk of mail, with rondelles at the shoulders and elbows,
rounded plates strapped over the upper arm, and jambs of iron. The
sollerets are in chain-mail. The heavy horsemen of the “middle ages”
are often referred to as “knights,” but of course there could only be
a very small percentage of them enjoying that degree. Presumably many
were eligible for the honour of knighthood for marked bravery in the
field.
* * * * *
Before the use of gunpowder in warfare the baronial fortress was almost
impregnable, but cannon turned the tables on the feudal nobility,
dealing a severe blow at extreme feudalism, of which these castles were
the invariable centres.
The reason for the introduction of the cuirass proper was the
exceeding weight of the hauberk of chain-mail, in conjunction with
the heavy plates often riveted on to it, and the quilted gambeson,
etc., underneath; and also by reason of the inefficient protection it
afforded against the lance in full career, or strokes from the greatly
improved and heavier swords, or blows from the deadly battle-axe;
indeed, it often happened that a portion of the chain-mail itself
was driven into a wound. It was, however, far from uncommon early in
the fifteenth century for a hauberk of chain-mail to be worn under
the cuirass, with a gambeson next the body, and another between the
mail and the cuirass; but this multiplicity of garments was far too
heating, heavy and cumbersome, and at least one of them, and generally
two, were discarded on the full introduction of plate armour. These
cast-off garments were, however, utilised by the lighter troops. The
gambeson is a quilted tunic, often worn in battle in early times
without other armour, having been made tough enough to turn a sword
stroke; but when plate armour became general it was of quilted linen,
fortified with rings under the arms and breastplate. There is a most
interesting gambeson of the kind in the national museum at Munich, an
example of late fourteenth century date, and the only one known as
surviving; it also covers the legs, and is strengthened with mail over
the knees. There is a specimen at Munich, thought to be unique, of
the familiar horizontal belt one sees on effigies of the fourteenth
and early fifteenth centuries. The underclothing varied greatly at the
different periods, and there is often some confusion of terms among
the “Chroniclers” regarding these garments. Chaucer calls the gambeson
a “haketon,” the habergeon of his day being a shirt of chain-mail. He
says:--
“Next his shirt an haketon,
And over that an habergeon,
And over that a fin hauberke,
Full strong it was of plate.”
Public-domain text, read in full here on John Shaqi.
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