The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 1 (of 3)Athenaeus, of Naucratis
General
The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 1 (of 3)
Athenaeus, of Naucratis
Civilization, Greco-Roman; Dinners and dining -- Greece; Greece -- Social life and customs; Homosexuality -- Greece
But in Plato none of these things are done in a moderate manner. But men
drink in such quantities that they cannot even stand on their feet. For
just look at the reveller Alcibiades, how unbecomingly he behaves. And
all the rest drink a large goblet holding eight cotylæ, using as an
excuse that Alcibiades has led them on; not like the men in Homer--
But when they drank, and satisfied their soul.
Now of these things some ought to be repudiated once for all; but some
ought to be enjoyed in moderation; people looking at them as at a slight
addition or appendage to a repast; as Homer has said--
Let these, my friend,
With song and dance the pompous revel end.
9. And altogether the poet has attributed devotion to such things to the
Suitors, and to the Phæacians, but not to Nestor or to Menelaus. And
Aristarchus did not perceive that in his marriage feast, after the
entertainment had lasted some time, and the principal days of the revel
were over, in which the bride had been taken to the house of the
bridegroom, and the marriage of Megapenthes was completed, Menelaus and
Helen were left to themselves and feasted together. He, I say, not
perceiving this, but being deceived by the first line--
Where sate Atrides 'midst his bridal friends,
he then added these lines, which do not properly belong to this place--
While this gay friendly troop the king surround,
With festival and mirth the roofs resound;
A bard amid the joyous circle sings
High airs, attemper'd to the vocal strings,
Whilst, warbling to the varied strain, advance
Two sprightly youths to form the bounding dance:--
transferring them with the error in the reading and all from the
eighteenth book of the Iliad, where he relates the making of the arms of
Achilles; for it ought to be read not ἐξάρχοντες, _the dancers beginning_,
but ἐξάρχοντος (τοῦ ᾠδοῦ, that is to say,) _when the poet began to sing_. For
the word ἐξάρχω has peculiar reference to preluding on the lyre. On which
account Hesiod also says in his Shield of Hercules--
The holy goddesses, the Muses nine,
Preluded (ἐξῆρχον) with a sacred melody.[296:1]
And Archilochus says--
Himself preluding (ἐξάρχων) with a sacred pæan
Set to the Lesbian flute.
And Stesichorus calls the Muse the Beginner of Song (ἀρχεσίμολπος). And
Pindar calls Preludes the Leaders of the Dance. And Diodorus the
Aristophanian enclosed the whole account of the wedding in brackets;
thinking that the first days only were alluded to, and disregarding the
termination and what came after the banquet. And then he says we ought
to write the words δοίω δὲ κυβιστητῆρε κατ' αὐτοὺς with an aspirate, καθ'
αὑτοὺς, but that would be a solecism. For κατ' αὐτοὺς is equivalent to
κατὰ σφᾶς αὐτοὺς, but to say ἑαυτοὺς would be a solecism.
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