The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 3 (of 3)Athenaeus, of Naucratis
Philosophy
The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 3 (of 3)
Athenaeus, of Naucratis
Civilization, Greco-Roman; Dinners and dining -- Greece; Greece -- Social life and customs; Homosexuality -- Greece
And, in the same spirit, Æschylus, though a man who had
acquired such great renown by his poetry, nevertheless preferred having
his valour recorded on his tomb, and composed an inscription for it, of
which the following lines are a part:—
The grove of Marathon, and the long-hair'd Medes,
Who felt his courage, well may speak of it.
24. And it is on this account that the Lacedæmonians, who are a most
valiant nation, go to war to the music of the flute, and the Cretans
to the strains of the lyre, and the Lydians to the sound of pipes and
flutes, as Herodotus relates. And, moreover, many of the barbarians
make all their public proclamations to the accompaniment of flutes
and harps, softening the souls of their enemies by these means. And
Theopompus, in the forty-sixth book of his History, says—"The Getæ
make all their proclamations while holding harps in their hands and
playing on them." And it is perhaps on this account that Homer, having
due regard to the ancient institutions and customs of the Greeks, says—
I hear, what graces every feast, the lyre;[71]
as if this art of music were welcome also to men feasting.
Now it was, as it should seem, a regular custom to introduce music,
in the first place in order that every one who might be too eager
for drunkenness or gluttony might have music as a sort of physician
and healer of his insolence and indecorum, and also because music
softens moroseness of temper; for it dissipates sadness, and produces
affability and a sort of gentlemanlike joy. From which consideration,
Homer has also, in the first book of the Iliad, represented the gods
as using music after their dissensions on the subject of Achilles; for
they continued for some time listening to it—
Thus the blest gods the genial day prolong
In feasts ambrosial and celestial song:
Apollo tuned the lyre,—the Muses round,
With voice alternate, aid the silver sound.[72]
For it was desirable that they should leave off their quarrels and
dissensions, as we have said. And most people seem to attribute the
practice of this art to banquets for the sake of setting things
right, and of the general mutual advantage. And, besides these other
occasions, the ancients also established by customs and laws that at
feasts all men should sing hymns to the gods, in order by these means
to preserve order and decency among us; for as all songs proceed
according to harmony, the consideration of the gods being added to this
harmony, elevates the feelings of each individual. And Philochorus
says that the ancients, when making their libations, did not always
use dithyrambic hymns, but "when they pour libations, they celebrate
Bacchus with wine and drunkenness, but Apollo with tranquillity and
good order." Accordingly Archilochus says—
I, all excited in my mind with wine,
Am skilful in the dithyrambic, knowing
The noble melodies of the sovereign Bacchus.
And Epicharmus, in his Philoctetes, says—
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