The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 3 (of 3)Athenaeus, of Naucratis
Philosophy
The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 3 (of 3)
Athenaeus, of Naucratis
Civilization, Greco-Roman; Dinners and dining -- Greece; Greece -- Social life and customs; Homosexuality -- Greece
54. And Chares, in the tenth book of his History of Alexander,
says—"When he took Darius prisoner, he celebrated a marriage-feast
for himself and his companions, having had ninety-two bedchambers
prepared in the same place. There was a house built capable of
containing a hundred couches; and in it every couch was adorned with
wedding paraphernalia to the value of twenty minæ, and was made of
silver itself; but his own bed had golden feet. And he also invited to
the banquet which he gave, all his own private friends, and those he
arranged opposite to himself and the other bridegrooms; and his forces
also belonging to the army and navy, and all the ambassadors which were
present, and all the other strangers who were staying at his court.
And the apartment was furnished in the most costly and magnificent
manner, with sumptuous garments and cloths, and beneath them were
other cloths of purple, and scarlet, and gold. And, for the sake of
solidity, pillars supported the tent, each twenty cubits long, plated
all over with gold and silver, and inlaid with precious stones; and all
around these were spread costly curtains embroidered with figures of
animals, and with gold, having gold and silver curtain-rods. And the
circumference of the court was four stadia. And the banquet took place,
beginning at the sound of a trumpet, at that marriage-feast, and on
other occasions whenever the king offered a solemn sacrifice, so that
all the army knew it.
And this marriage-feast lasted five days. And a great number both
of barbarians and Greeks brought contributions to it; and also some
of the Indian tribes did so. And there were present some wonderful
conjurors—Scymnus of Tarentum, and Philistides of Syracuse, and
Heraclitus of Mitylene; after whom also Alexis of Tarentum, the
rhapsodist, exhibited his skill. There came also harp-players, who
played without singing,—Cratinus of Methymne, and Aristonymus the
Athenian, and Athenodorus the Teian. And Heraclitus the Tarentine
played on the harp, accompanying himself with his voice, and so did
Aristocrates the Theban. And of flute-players accompanied with song,
there were present Dionysius of Heraclea, and Hyperbolus of Cyzicus.
And of other flute-players there were the following, who first of all
played the air called The Pythian, and afterwards played with the
choruses,—Timotheus, Phrynichus, Caphesias, Diophantus, and also Evius
the Chalcidian. And from this time forward, those who were formerly
called Dionysio-colaces,[3] were called Alexandro-colaces, on account
of the extravagant liberality of their presents, with which Alexander
was pleased. And there were also tragedians who acted,—Thessalus, and
Athenodorus, and Aristocritus; and of comic actors there were Lycon,
and Phormion, and Ariston. There was also Phasimelus the harp-player.
And the crowns sent by the ambassadors and by other people amounted in
value to fifteen thousand talents.
[Sidenote: ALEXANDER.]
Public-domain text, read in full here on John Shaqi.
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