Books and reading; Fiction -- History and criticism
A sister, old enough to receive “beaux” and addicted to the piano-forte
accomplishment, was at that time practicing across the hall an
instrumental composition, entitled, “La Rève.” Under the title, printed
in very small letters, was the English translation; but I never thought
to look at it. An elocutionist had shortly before recited Poe's Raven
at a church entertainment, and that gloomy bird flapped its wings in my
young emotional vicinity when the firelight threw vague “shadows on
the floor.” When the piece of music was spoken as “La Rève,” its sad
cadences, suffering, of course, under practice, were instantly wedded in
my mind to Mr. Poe's wonderful bird and for years it meant the “Raven”
to me. How curious are childish impressions. Years afterward when I
saw a copy of the music and read the translation, “The Dream” under the
title, I felt a distinct shock of resentment as if the French language
had been treacherous to my sacred ideas. Then there was the romantic
name of “Ellerslie,” which, notwithstanding considerable precocity in
reading and spelling I carried off as “Elleressie” Yeas afterward when
the actual syllables confronted me in a historical sketch of Wallace,
the truth entered like a stab and I closed the book. O sacred first
illusions of childhood, you are sweeter than a thousand year of fame! It
is God's providence that hardens us to endure the throwing of them down
to our eyes and strengthens us to keep their memory sweet in our hearts.
* * * * *
It would be an affront then, not to assume that every reputable novel
reader has read “Scottish Chiefs.” If there is any descendant or any
personal friend of that admirable lady, Miss Jane Porter, who may now be
in pecuniary distress, let that descendant call upon me privately with
perfect confidence. There are obligations that a glacial evolutionary
period can not lessen. I make no conditions but the simple proof of
proper identity. I am not rich but I am grateful.
It was a Saturday evening when I became aware, as by prescience, that
there hung over Sir William Wallice and Helen Mar some terrible shadow
of fate. And the piano-forte across the hall played “La Rève.” My heart
failed me and I closed the book. If you can't do that, my friend, then
you waste your time trying to be a novel reader. You have not the true
touch of genius for it. It is the miracle of eating your cake and having
it, too. It must have been the unconscious moving of novel reading
genius in me. For I forgot, as clearly as if it were not a possibility,
that the next day was Sunday. And so hurried off, before time, to bed,
to be alone with the burden on my heart.
“Backward, turn backward, O Time in your flight--
Make me a child again just for tonight.”
Public-domain text, read in full here on John Shaqi.
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