Books and reading; Fiction -- History and criticism
There is, of course, but one sort of novel-reader who is of any
importance He is the man who began under the age of fourteen and
is still sticking to it--at whatever age he may be--and full of
a terrifying anxiety lest he may be called away in the midst of
preliminary announcements of some pet author's “next forthcoming.” For
my own part I cannot conceive dying with resignation knowing that the
publishers were binding up at the time anything of Henryk Sienckiewicz's
or Thomas Hardy's. So it is important that a man begin early, because he
will have to quit all too soon.
There are no women novel-readers. There are women who read novels, of
course; but it is a far cry from reading novels to being a novel-reader.
It is not in the nature of a woman. The crown of woman's character is
her devotion, which incarnate delicacy and tenderness exalt into
perfect beauty of sacrifice. Those qualities could no more live amid the
clashings of indiscriminate human passions than a butterfly wing could
go between the mill rollers untorn. Women utterly refuse to go on with a
book if the subject goes against their settled opinions. They despise a
novel--howsoever fine and stirring it may be--if there is any taint of
unhappiness to the favorite at the close. But the most flagrant of all
their incapacities in respect to fiction is the inability to appreciate
the admirable achievements of heroes, unless the achievements are solely
in behalf of women. And even in that event they complacently consider
them to be a matter of course, and attach no particular importance to
the perils or the hardships undergone. “Why shouldn't he?” they argue,
with triumphant trust in ideals; “surely he loved her!”
There are many women who nibble at novels as they nibble at
luncheon--there are also some hearty eaters; but 98 per cent of them
detest Thackeray and refuse resolutely to open a second book of Robert
Louis Stevenson. They scent an enemy of the sex in Thackeray, who never
seems to be in earnest, and whose indignant sarcasm and melancholy
truthfulness they shrink from. “It's only a story, anyhow,” they argue
again; “he might, at least write a pleasant one, instead of bringing in
all sorts of disagreeable people--some of them positively disreputable.”
As for Stevenson, whom men read with the thrill of boyhood rising new
in their veins, I believe in my soul women would tear leaves out of his
novels to tie over the tops of preserve jars, and never dream of the
sacrilege.
Now I hold Thackeray and Stevenson to be the absolute test of capacity
for earnest novel-reading. Neither cares a snap of his fingers for
anybody's prejudices, but goes the way of stern truth by the light of
genius that shines within him.
Public-domain text, read in full here on John Shaqi.
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