While the performance was going on the rest of the women were working
on the prison grounds, in the kitchen, in the laundry, in the machine
rooms, but they were as excited about the event as though they were to
be present. Whenever a matron appeared, or Mrs. Hodder, the head of the
prison, stopped to say a word to them, they asked eagerly about the
guests, were there many of them, had the Governor arrived, did they
get a sword for the Major General?
Upstairs in the chapel a squad of girls worked for several hours before
the performance, setting the stage. The scenery had been painted by
the girls themselves and would have done credit to Granville Barker.
Towering rocks, a rolling ocean in the back, a cave that looked as
though it might harbor any number of murderous pirates, and real
trees. Little birches had been cut down, and the girls worked long and
earnestly setting them in pails of water behind “rocks.” In spite of a
couple of savage onslaughts, one from the pirates in full force with
daggers drawn, and one from the energetic police, the trees stayed
upright with only a couple of quiverings.
The team work displayed by these outcast members of society, who do not
fit into our “organization,” was something of a revelation.
“Get out of this dust, Julia,” cried the stage hands dragging birch
trees to their places, as the pirate king appeared in the chapel
doorway. “Don’t you know dust will ruin your voice?”
“Mis’ Wilki’son, don’t you touch them trees, you’ll get your hands so
rough you can’t play this afternoon,” and, “Mabel, I thought you was
goin’ to lay down and get rested--you’ll be all worn out.”
“Emma, don’t let Mis’ Wilki-son sweep the floor--Mis’ Wilki-son, let
us have a matron up here and you go and get some rest, we can fix
everything now.”
What this means will be realized fully only by those who know the
general temper of the women confined in our penal institutions, who
have seen the sullenness, the bitter vindictiveness, the complaining
spirit of the greater part of them. The girls of the old-style
reformatory or prison have much time to themselves, and they put in
every minute of it inspecting and piling up their grievances. Even when
they are occupied they are thinking about themselves; naturally, they
take little interest in doing kitchen or laundry work, or in running
machines.
Sullenness and distrust, a hardened suspicion of everything that is
done for them, are the biggest difficulties in the way of the woman who
tries to “get at” the girls. Mrs. Wilkinson has shifted the emphasis.
She does not think so much about “getting at” the girls. She tries
rather to get them away from themselves.
Public-domain text, read in full here on John Shaqi.
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