The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
General
The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
"Has her cat come home, Cynthia?" were the young man's first
anxious words.
"About sunset. Uncle Boaz found her over at Aunt Daphne's,
hunting mice under the joists. Mother had fretted terribly over
the loss."
"Is she easier now?"
"Much more so, but she still asks for the port. We pretend that
Uncle Boaz has mislaid the key of the wine-cellar. She upbraided
him, and he bore it so patiently, poor old soul!"
Christopher quickly reached into the deep pocket of his overalls
and drew out the scanty wages of his last three days' labour.
"Send this by somebody down to Tompkins," he said, "and get the
wine he ordered. He refuses to sell on credit any longer, so I
had to find the money."
She looked up, startled.
"Oh, Christopher, you have worked for Fletcher?"
Tears shone in her eyes and her mouth quivered. "Oh,
Christopher!" she repeated, and the emotional quality in her
voice rang strong and true. He fell back, angered, while the hand
she had stretched out dropped limply to her side.
"For God's sake, don't snivel," he retorted harshly. "Send the
money and give her the wine, but dole it out like a miser, for
where the next will come from is more than I can tell."
"The pay for my sewing is due in three days," said Cynthia,
raising her roughened hand on which the needle-scars showed even
in the moonlight. "Mother has worried so to-day that I couldn't
work except at odd moments, but I can easily manage to sit up
to-night and get it done. She thinks I'm embroidering an ottoman,
you see, and this evening she asked to feel the silks."
He uttered a savage exclamation.
"Oh, I gave her some ravellings from an old tidy," she hastened
to assure him. "She played with them awhile and knew no better,
as I told her the colours one by one. Afterward she planned all
kinds of samplers and fire-screens that I might work. Her own
knitting has wearied her of late, so we haven't been obliged to
buy the yarn."
"She doesn't suspect, you think?"
Cynthia shook her head. "After fifteen years of deception there's
no danger of my telling the truth to-day. I only wish I could,"
she added, with that patient dignity which is the outward
expression of complete renouncement. When she lifted her tragic
face the tears on her cheeks softened the painful hollows, as the
moonbeams, playing over her gown of patched and faded silk,
revived for a moment the freshness of its discoloured flowers.
"The truth would be the death of her," said the young man, in a
bitter passion of anxiety. "Tell her that Fletcher owns the Hall,
and that for fifteen years she has lived, blind and paralysed, in
the overseer's house! Why, I'd rather stick a knife into her
heart myself!"
"Her terrible pride would kill her--yes, you're right. We'll keep
it up to the end at any cost."
He turned to her with a sudden terror in his face. "She isn't
worse, is she?"
"Worse? Oh, no; I only meant the cost to us, the cost of never
speaking the truth within the house."
Public-domain text, read in full here on John Shaqi.
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