The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
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The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
"And I was ten. Well, I'm not blaming you, and I've done what I
was forced to--but keep your confounded books out of my sight,
that's all I ask. Is that mother calling?"
Cynthia bent her ear. "I thought Lila was with her, but I'll go
at once. Be sure to change your clothes, dear, before she touches
you."
"Hadn't I better chop a little kindling-wood before supper?"
"No--no, not to-night. Go and dress, while I send Uncle Boaz for
the wine."
She entered the house with a hurried step, and Christopher, after
an instant's hesitation, passed to the back, and, taking off his
clumsy boots, crept softly up the creaking staircase to his
little garret room in the loft.
Ten minutes later he came down again, wearing a decent suit of
country-made clothes, with the dust washed from his face, and his
hair smoothly brushed across his forehead. In the front hall he
took a white rosebud from a little vase of Bohemian glass and
pinned it carefully in the lapel of his coat. Then, before
entering, he stood for a moment silent upon the threshold of the
lamplighted room.
In a massive Elizabethan chair of blackened oak a stately old
lady was sitting straight and stiff, with her useless legs
stretched out upon an elaborately embroidered ottoman. She wore a
dress of rich black brocade, made very full in the skirt, and
sleeves after an earlier fashion, and her beautiful snow-white
hair was piled over a high cushion and ornamented by a cap of
fine thread lace. In her face, which she turned at the first
footstep with a pitiable, blind look, there were the faint traces
of a proud, though almost extinguished, beauty--traces which were
visible in the impetuous flash of her sightless eyes, in the
noble arch of her brows, and in the transparent quality of her
now yellowed skin, which still kept the look of rare porcelain
held against the sunlight. On a dainty, rose-decked tray beside
her chair there were the half of a broiled chicken, a thin glass
of port, and a plate of buttered waffles; and near her high
footstool a big yellow cat was busily lapping a saucer of new
milk.
As Christopher went up to her, she stretched out her hand and
touched his face with her sensitive fingers. "Oh, if I could only
see you," she said, a little peevishly. "It is twenty years since
I looked at you, and now you are taller than your father was, you
say. I can feel that your hair is light, like his and like
Lila's, too, since you are twins."
A pretty, fragile woman, who was wrapping a shawl about the old
lady's feet, rose to her full height and passed behind the
Elizabethan chair." Just a shade lighter than mine, mother," she
responded; "the sun makes a difference, you know; he is in the
sun so much without a hat." As she stood with her delicate hands
clasped above the fancifully carved grotesques upon the
chair-back, her beauty shone like a lamp against the
smoke-stained walls.
Public-domain text, read in full here on John Shaqi.
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