The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
General
The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
Beyond the adjoining bedroom, through which Christopher passed, a
rude plank platform led to a long, unceiled room which served as
kitchen and dining-room in one. Here a cheerful blaze made merry
about an ancient crane, on which a coffeeboiler swung slowly back
and forth with a bubbling noise. In the red firelight a plain
pine table was spread with a scant supper of cornbread and bacon
and a cracked Wedgewood pitcher filled with buttermilk. There was
no silver; the china consisted of some odd, broken pieces of old
willow-ware; and beyond a bunch of damask roses stuck in a quaint
glass vase, there was no visible attempt to lighten the effect of
extreme poverty. An aged Negress, in a dress of linsey-woolsey
which resembled a patchwork quilt, was pouring hot, thin coffee
into a row of cups with chipped or missing saucers.
Cynthia was already at the table, and when Christopher came in
she served him with an anxious haste like that of a stricken
mother. To Tucker and herself the coarse fare was unbearable even
after the custom of fifteen years, and time had not lessened the
surprise with which they watched the young man's healthful
enjoyment of his food. Even Lila, whose glowing face in its
nimbus of curls lent an almost festive air to her end of the
white pine board, ate with a heartiness which Cynthia, with her
outgrown standard for her sex, could not but find a trifle
vulgar. The elder sister had been born to a different heritage
--to one of restricted views and mincing manners for a
woman--and, despite herself, she could but drift aimlessly on the
widening current of the times.
"Christopher, will you have some coffee--it is stronger now?" she
asked presently, reaching for his emptied cup.
"Dis yer stuff ain' no cawfy," grumbled Aunt Pony, taking the
boiler from the crane; "hit ain' nuttin' but dishwater, I don'
cyar who done made hit." Then, as the door opened to admit Uncle
Isam with a bucket from the spring, she divided her scorn equally
between him and the coffee-pot.
"You needn't be a-castin' er you nets into dese yer pains," she
observed cynically.
Uncle Isam, a dried old Negro of seventy years, shambled in
patiently and placed the bucket carefully upon the stones, to be
shrilly scolded by Aunt Polly for spilling a few drops on the
floor. "I reckon you is steddyin' ter outdo Marse Noah," she
remarked with scorn.
"Howdy, Marse Christopher? Howdy, Marse Tuck?" Uncle Isam
inquired politely, as he seated himself in a low chair on the
hearth and dropped his clasped hands between his open knees.
Christopher nodded carelessly. "Glad to see you, Isam," Tucker
cordially responded. "Times have changed since you used to live
over here."
"Days so, suh, dot's so. Times dey's done change, but I
ain't--I'se des de same. Dat's de tribble wid dis yer worl'; w'en
hit change yo' fortune hit don' look ter changin' yo' skin es
well."
"That's true; but you're doing all right, I hope?"
Public-domain text, read in full here on John Shaqi.
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