The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
General
The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
The shutters were closed, and as she flung them back on their
rusty hinges the pale June twilight entered with the breath of
mycrophylla roses. In the scented dusk Carraway stared about the
desolate, crudely furnished room, which gave back to his troubled
fancy the face of a pitiable, dishonoured corpse. The soul of it
was gone forever--that peculiar spirit of place which makes every
old house the guardian of an inner life--the keeper of a family's
ghost. What remained was but the outer husk, the disfigured
frame, upon which the newer imprint seemed only a passing insult.
On the high wainscoted walls he could still trace the vacant
dust-marked squares where the Blake portraits had once
hung--lines that the successive scrubbings of fifteen years had
not utterly effaced. A massive mahogany sofa, carved to represent
a horn of plenty, had been purchased, perhaps at a general sale
of the old furniture, with several quaint rosewood chairs and a
rare cabinet of inlaid woods. For the rest, the later additions
were uniformly cheap and ill-chosen--a blue plush "set," bought,
possibly, at a village store, a walnut table with a sallow marble
top, and several hard engravings of historic subjects.
When the lawyer turned from a curious inspection of these works
of art, he saw that only a curtain of flimsy chintz, stretched
between a pair of fluted columns, separated him from the
adjoining room, where a lamp, with lowered wick, was burning
under a bright red shade. After a moment's hesitation he drew the
curtain aside and entered what he took at once to be the common
living-room of the Fletcher family.
Here the effect was less depressing, though equally
uninteresting--a paper novel or two on the big Bible upon the
table combined, indeed, with a costly piano in one corner, to
strike a note that was entirely modern. The white crocheted
tidies on the chair-backs, elaborated with endless patience out
of innumerable spools of darning cotton, lent a feminine touch to
the furniture, which for an instant distracted Carraway's mental
vision from the impending personality of Fletcher himself. He
remembered now that there was a sister whom he had heard vaguely
described by the women of his family as "quite too hopeless," and
a granddaughter of whom he knew merely that she had for years
attended an expensive school somewhere in the North. The grandson
he recalled, after a moment, more distinctly, as a pretty,
undeveloped boy in white pinafores, who had once accompanied
Fletcher upon a hurried visit to the town. The gay laugh had
awakened the incident in his mind, and he saw again the little
cleanly clad figure perched upon his desk, nibbling bakers' buns,
while he transacted a tedious piece of business with the vulgar
grandfather.
He was toying impatiently with these recollections when his
attention was momentarily attracted by the sound of Fletcher's
burly tones on the rear porch just beyond the open window.
Public-domain text, read in full here on John Shaqi.
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