The Deluge: An Historical Novel of Poland, Sweden, and Russia. Vol. 2Sienkiewicz, Henryk
History
The Deluge: An Historical Novel of Poland, Sweden, and Russia. Vol. 2
Sienkiewicz, Henryk
Historical fiction; Poland -- History -- John II Casimir, 1648-1668 -- Fiction
As sometimes flocks of passing cranes, tired from long flying, besiege
a high cliff, so swarms of these fiery messengers fell on the summit of
the church and on the wooden roofs of the buildings. Whoso was not
taking part in the struggle, was near a cannon, was sitting on a roof.
Some dipped water from wells, others drew up the buckets with ropes,
while third parties put out fire with wet cloths. Balls crashing
rafters and beams fell into garrets, and soon smoke and the odor of
burning filled all the interior of buildings. But in garrets, too,
defenders were watching with buckets of water. The heaviest bombs burst
even through ceilings. In spite of efforts more than human, in spite of
wakefulness, it seemed that, early or late, flames would embrace the
whole cloister. Torches and bundles of hemp pushed with hooks from the
roofs formed burning piles at the foot of the walls. Windows were
bursting from heat, and women and children confined in rooms were
stifling from smoke and exhalations. Hardly were some missiles
extinguished, hardly was the water flowing in broken places, when there
came new flocks of burning balls, flaming cloths, sparks, living fire.
The whole cloister was seized with it. You would have said that heaven
had opened on the place, and that a shower of thunders was falling;
still it burned, but was not consumed; it was flaming, but did not fall
into fragments; what was more, the besieged began to sing like those
youths in the fiery furnace; for, as the day previous, a song was now
heard from the tower, accompanied by trumpets. To the men standing on
the walls and working at the guns, who at each moment might think that
all was blazing and falling to ruins behind their shoulders, that song
was like healing balsam, announcing continually that the church was
standing, that the cloister was standing, that so far flames had not
vanquished the efforts of men. Hence it became a custom to sweeten with
such harmony the suffering of the siege, and to keep removed from the
ears of women the terrible shouts of raging soldiery.
But in the Swedish camp that singing and music made no small
impression. The soldiers in the trenches heard it at first with wonder,
then with superstitious dread.
“How is it,” said they to one another, “we have cast so much fire and
iron at that hen-house that more than one powerful fortress would have
flown away in smoke and ashes, but they are playing joyously? What does
this mean?”
“Enchantment!” said others.
“Balls do not harm those walls. Bombs roll down from the roofs as if
they were empty kegs! Enchantment, enchantment!” repeated they.
“Nothing good will meet us in this place.”
The officers in fact were ready to ascribe some mysterious meaning to
those sounds. But others interpreted differently, and Sadovski said
aloud, so that Miller might hear: “They must feel well there, since
they rejoice; or are they glad because we have spent so much powder for
nothing?”
Public-domain text, read in full here on John Shaqi.
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