The Demands of Rome: Her Own Story of Thirty-One Years as a Sister of Charity in the Order of the Sisters of Charity of Providence of the Roman Catholic ChurchSchoffen, Elizabeth
Religion
The Demands of Rome: Her Own Story of Thirty-One Years as a Sister of Charity in the Order of the Sisters of Charity of Providence of the Roman Catholic Church
Schoffen, Elizabeth
Ex-nuns -- United States -- Biography; Monastic and religious life of women
We arrived at the village of St. Anne de Beaupre about seven o'clock in
the morning and went direct to the wonderful basilica of St. Anne de
Beaupre, where we heard mass and received the consecrated wafter-god
before we could have any breakfast.
This basilica is a magnificent temple, probably six stories in height,
with two high spires, and wonderful chiming bells. In the interior there
is a large costly decorated altar, and above this on either side are
other altars. On either side of the main auditorium are rows of
installed chapels, ten on each side, making twenty in all. Each of these
chapels has its own altar and is dedicated to some saint and contains a
life-size statue of that special saint.
The statue of St. Anne which works the "miraculous cures" is located
about the centre of the basilica. It is about twice the size of a man,
and standing on an onyx pillar about four feet high. The open hands are
extended a little from the body, and from them stream rays of gold,
representing the great richness of St. Anne's dispensing power. It is to
this statue that hundreds of sufferers from all parts of Canada and this
country travel every year in search of a cure for their infirmities.
There were on exhibition hundreds and hundreds of crutches, canes,
sticks and supports for all kinds of infirmities hung on the walls in
the back of the church and on two immense pillars. These were supposed
to have been left there by people who had been cured by this wonderful
statue of St. Anne. Then upon believing themselves cured of their
ailment or infirmity they would pay whatever sum of money they could
afford, and that is the reason for such a magnificent institution in
this small village.
On an elevation near the church was a small building called the holy
Sanctum. Leading to this building were twelve steps, which, in order to
reach the entrance of the building, we had to ascend on our knees. The
images and statues in this building were most beautiful to
behold--costly shrines, life-sized statues of some of the martyred
saints, and our Lord, as represented in the tomb. The fourteen stations
of the cross were engraved in fine art on the walls, magnificent
paintings on the ceiling, such as the Angelical Salutation of the Virgin
Mary, and other views emblematic of religion. These things were all very
interesting to look upon, but the more I tried to pray and convince
myself in my heart that this show was religion, the more I found myself
losing what little belief I then had.
On leaving this holy Sanctum, we passed a spring which had been tapped
to make a fountain. This was known as St. Anne's fountain, and the water
was supposed to possess great curative qualities. I could not believe in
all this sort of "holy rot," it was getting too strong for me, but
Sister Rita took a small bottle of the water which she carried
throughout the remainder of the trip.
Public-domain text, read in full here on John Shaqi.
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