The Demon Trapper of Umbagog: A Thrilling Tale of the Maine ForestsThompson, Daniel P. (Daniel Pierce)
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The Demon Trapper of Umbagog: A Thrilling Tale of the Maine Forests
Thompson, Daniel P. (Daniel Pierce)
Frontier and pioneer life -- Fiction; Maine -- Fiction; Trappers -- Fiction
In a back, secluded room, in the third story of a public house in
Boston, of questionable respectability, there might have been found,
a few hours after the dispersion of the party before described, a
small band of men sitting around a table, intently engaged in games
of chance, in which money was at stake; while on a sideboard stood
several bottles of different kinds of liquors, with a liberal supply
of crackers and cigars. Of this company, two, who have been already
introduced to the reader,--Mark Elwood and Gaut Gurley,--seemed to
be especially pitted against each other in the game. It was now deep
into the night, and Elwood said something about going home. But his
remark being received only with jeers by the company, he sank into an
abashed silence and played on. Another hour elapsed, and he spoke of
it again, but less decidedly. Another passed, and he seemed wholly to
have forgotten his purpose; for he, as well as all the rest of the
company, had, by this time, become intensely absorbed in the play,
allowing themselves no respite or intermission, except to snatch
occasionally a glass of liquor from the sideboard, in the entrancing
business before them. And, as the sport proceeded, deeper and deeper
grew the excitement among the infatuated participants, till every
sense and feeling seemed lost to every thing save the result of each
rapidly succeeding game; and the heat of concentrated thought and
passion gleamed fiercely from every eye, and found vent, in repeated
exclamations of triumph or despair, from every tongue, according to the
varying fortunes of the parties engaged. On one side was heard the loud
and exultant shout of the winner at his success, and on the other, the
low bitter curse of the loser at his disappointment; the countenance
of the one, in his joy and exultation, assuming the self-satisfied and
domineering air of the victor and master, and the countenance of the
other, in his grief and envy, darkening into the mingled look of the
demon and the slave.
And thus played on this desperate band of gamesters till morning light,
which, now stealing through the shutters of their darkened room, came
and joined its voiceless monitions with those which their consciences
had long since given them, in warning them to break up and return to
their families, made wretched by their absence. So completely, however,
had they abandoned themselves to the fatal witcheries of the play, that
they heeded not even this significant admonition; but, with uneasy
glances towards the windows, to note the progress of the unwelcome
intrusions of day, turned with the redoubled eagerness often shown by
those who know their time is limited to their hellish engagement.
Public-domain text, read in full here on John Shaqi.
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