The Descent of Man and Selection in Relation to Sex, Vol. IDarwin, Charles
Science
The Descent of Man and Selection in Relation to Sex, Vol. I
Darwin, Charles
Evolution (Biology); Human beings -- Origin; Sex differences; Sexual dimorphism (Animals); Sexual selection in animals
Articulate language is, however, peculiar to man; but he uses in common
with the lower animals inarticulate cries to express his meaning, aided
by gestures and the movements of the muscles of the face.[76] This
especially holds good with the more simple and vivid feelings, which are
but little connected with our higher intelligence. Our cries of pain,
fear, surprise, anger, together with their appropriate actions, and the
murmur of a mother to her beloved child, are more expressive than any
words. It is not the mere power of articulation that distinguishes man
from other animals, for as every one knows, parrots can talk; but it is
his large power of connecting definite sounds with definite ideas; and
this obviously depends on the development of the mental faculties.
As Horne Tooke, one of the founders of the noble science of philology,
observes, language is an art, like brewing or baking; but writing would
have been a much more appropriate simile. It certainly is not a true
instinct, as every language has to be learnt. It differs, however,
widely from all ordinary arts, for man has an instinctive tendency to
speak, as we see in the babble of our young children; whilst no child
has an instinctive tendency to brew, bake, or write. Moreover, no
philologist now supposes that any language has been deliberately
invented; each has been slowly and unconsciously developed by many
steps. The sounds uttered by birds offer in several respects the nearest
analogy to language, for all the members of the same species utter the
same instinctive cries expressive of their emotions; and all the kinds
that have the power of singing exert this power instinctively; but the
actual song, and even the call-notes, are learnt from their parents or
foster-parents. These sounds, as Daines Barrington[77] has proved, “are
no more innate than language is in man.” The first attempts to sing “may
be compared to the imperfect endeavour in a child to babble.” The young
males continue practising, or, as the bird-catchers say, recording, for
ten or eleven months. Their first essays show hardly a rudiment of the
future song; but as they grow older we can perceive what they are aiming
at; and at last they are said “to sing their song round.” Nestlings
which have learnt the song of a distinct species, as with the
canary-birds educated in the Tyrol, teach and transmit their new song to
their offspring. The slight natural differences of song in the same
species inhabiting different districts may be appositely compared, as
Barrington remarks, “to provincial dialects;” and the songs of allied,
though distinct species may be compared with the languages of distinct
races of man. I have given the foregoing details to shew that an
instinctive tendency to acquire an art is not a peculiarity confined to
man.
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