Wales -- Description and travel; Wales -- Social life and customs
Both sexes exceed any other nation in attention to their teeth, which
they render like ivory, by constantly rubbing them with green hazel and
wiping with a woollen cloth. For their better preservation, they abstain
from hot meats, and eat only such as are cold, warm, or temperate. The
men shave all their beard except the moustaches (_gernoboda_). This
custom is not recent, but was observed in ancient and remote ages, as we
find in the works of Julius Cæsar, who says, {171} “The Britons shave
every part of their body except their head and upper lip;” and to render
themselves more active, and avoid the fate of Absalon in their excursions
through the woods, they are accustomed to cut even the hair from their
heads; so that this nation more than any other shaves off all pilosity.
Julius also adds, that the Britons, previous to an engagement, anointed
their faces with a nitrous ointment, which gave them so ghastly and
shining an appearance, that the enemy could scarcely bear to look at
them, particularly if the rays of the sun were reflected on them.
CHAPTER XII
OF THEIR QUICKNESS AND SHARPNESS OF UNDERSTANDING
THESE people being of a sharp and acute intellect, and gifted with a rich
and powerful understanding, excel in whatever studies they pursue, and
are more quick and cunning than the other inhabitants of a western clime.
Their musical instruments charm and delight the ear with their sweetness,
are borne along by such celerity and delicacy of modulation, producing
such a consonance from the rapidity of seemingly discordant touches, that
I shall briefly repeat what is set forth in our Irish Topography on the
subject of the musical instruments of the three nations. It is
astonishing that in so complex and rapid a movement of the fingers, the
musical proportions can be preserved, and that throughout the difficult
modulations on their various instruments, the harmony is completed with
such a sweet velocity, so unequal an equality, so discordant a concord,
as if the chords sounded together fourths or fifths. They always begin
from B flat, and return to the same, that the whole may be completed
under the sweetness of a pleasing sound. They enter into a movement, and
conclude it in so delicate a manner, and play the little notes so
sportively under the blunter sounds of the base strings, enlivening with
wanton levity, or communicating a deeper internal sensation of pleasure,
so that the perfection of their art appears in the concealment of it:
“Si lateat, prosit;
— — ferat ars deprensa pudorem.”
“Art profits when concealed,
Disgraces when revealed.”
Public-domain text, read in full here on John Shaqi.
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