The Desert FiddlerHamby, William H. (William Henry)
General
The Desert Fiddler
Hamby, William H. (William Henry)
Cotton farmers -- Fiction; Fiddlers -- Fiction; Western stories
He let the reins drop over the saddlehorn, and brought the fiddle round
in front of him. There was no hurry, he would be there before
daylight. And he laughed as he ran his right thumb over the strings:
"What a combination--a fool, a fiddle, and a tractor."
Bob could not explain what impulse had made him bring a fiddle with him
on the way to mend a balky gasoline engine. As a youth--they had
called him rather a wild youth--he had often ridden through the Ozark
hills at night time with his fiddle under his arm. But in the last
eight years he had played the thing only once, and that once had come
so near finishing him that he still carried the receipt of the
undertaker who came to bury him the next day.
"Oh, well," Bob grinned into the night as he threw his right knee over
the saddlehorn and put the fiddle to his shoulder, "we'll see how she
goes once more."
For three miles he rode leisurely on, a striking figure in the dim
moonlight--a tall young man on a gray horse, fiddling wildly to the
desert night.
He crossed the bridge over the main canal, left the fringe of
cottonwood and willow, and turned across the open toward the Red Butte
Ranch. The fiddle was under his arm. Then he saw a shack in the open
field to the right of the road. It was one of those temporary
structures of willow poles and arrow weed that serve for a house for
the renter on the Mexican side. The setting moon was at its back, and
the open doorway showed only as a darker splotch. He lifted the fiddle
again. "Chinaboy, Jap, Hindu, Poor Man, Rich Man, Beggar Man or
Mexican--I'll give you a serenade all the samee."
The gleeful melody had scarcely jigged its way into the desert night
when, in the black splotch of the doorway, a figure appeared--a woman
in a white nightdress. Swiftly Bob changed the jig tune into a real
serenade, a clear, haunting, calling melody. The figure stood straight
and motionless in the dark doorway as long as he could see. Someway he
knew it was a white woman and that she was young.
He put the fiddle back in the bag and turned in his saddle to mark the
location of the hut in his mind--there was a clump of eucalyptus trees
just north of it. Yes, he would know the place, and he would learn
tomorrow who lived there. That listening figure had caught his
imagination.
But again he grinned into the night, ruefully this time as he
remembered the disaster that had followed his last two experiences with
this diabolical instrument of glee and grief.
"Oh, well," he shook his head determinedly and threw his leg across the
saddle, "the first time was with a preacher; the second with a gun; now
we'll give the lady a chance."
Public-domain text, read in full here on John Shaqi.
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