The Desert FiddlerHamby, William H. (William Henry)
General
The Desert Fiddler
Hamby, William H. (William Henry)
Cotton farmers -- Fiction; Fiddlers -- Fiction; Western stories
She turned her head sharply; something toward the road had moved; some
figure had appeared a moment and then disappeared. A fear that was
never wholly absent made her move toward the door of her own shack. A
revolver hung on a nail there.
And then out on the night stole the singing, quivering note of a
violin. Instantly the fear was gone, the tension past, and the tears
for the first time in all the struggle slipped down her cheeks. She
knew now that for weeks she had been hoping he would come again.
When the violin cords ceased to sing, Imogene clapped her hands warmly,
and the fiddler rose from beside a mesquite bush and came toward her.
"I'm glad you brought it this time," she said as he approached and sat
down on a box a few feet away. "That was the best music I have heard
for years."
"The best?" he questioned.
She caught the meaning in his emphasis and smiled to herself as she
answered: "The best violin music." Although her face was in the
shadow, the moonlight was on her hair and shoulders. Something in her
figure affected him as it had that night when she stood in the
doorway--some heroic endurance, some fighting courage that held it
erect, and yet it was touched by a yearning as restless and unsatisfied
as the desert wind. Bob knew her father was incapable of grappling
alone with the problems of life. This project had all been hers; it
was her will, her brain, her courage that had wrought the change on the
face of this spot of desert. Yet how softly girlish as she sat there
in the moonlight; and how alone in the heart of this sleeping desert in
an alien country. He wished she had not qualified that praise of his
playing. Bob knew very little about women.
"How do you like being a cotton planter?" She was first to break the
silence.
"Oh, very well." He turned his eyes from her for the first time,
looked down at his fiddle, and idly picked at one of the strings. "But
of course I can't truthfully say I love manual labour. I can do it
when there is something in it; but I much prefer a hammock and a shade
and a little nigger to fan me and bring me tall glasses full of iced
drinks."
She laughed, for she knew already he had the reputation of being one of
the best workers in the valley.
"But this country has me," he added. "It fascinates me. When I make a
fortune over here I'm going across on the American side and buy a big
ranch.
"You know"--he continued softly to strum on the violin strings--"this
Imperial Valley seems to me like a magic spot of the tropics, some land
of fable. Richer than the valley of the Nile it has lain here beneath
the sea level for thousands of years, dead under the breath of the
desert, until a little trickle of water was turned in from the Colorado
River, and then it swiftly put forth such luxuriant wealth of food and
clothes and fruit and flowers that its story sounds like the demented
dreams of a bankrupt land promoter."
Public-domain text, read in full here on John Shaqi.
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