It always has touched me, though, to see and feel the sweetness,
graciousness, sympathy, kindness, and that other indefinable
something, in the girls I have met. How they made me think of you,
Lenore! No doubt about their hearts, their loyalty, their
Americanism. Every soldier who goes to France can fight for some
girl! They make you feel that. I believe I have gone deeper than
most soldiers in considering what I will call war-relation of the
sexes. If it is normal, then underneath it all is a tremendous
inscrutable design of nature or God. If that be true, actually true,
then war must be inevitable and right! How horrible! My thoughts
confound me sometimes. Anyway, the point I want to make is this: I
heard an officer tell an irate father, whose two daughters had been
insulted by soldiers: "My dear sir, it is regrettable. These men
will be punished. But they are not greatly to blame, because so many
girls throw themselves at their heads. Your daughters did not, of
course, but they should not have come here." That illustrates the
fixed idea of the military, all through the ranks--_Women throw
themselves at soldiers!_ It is true that they do. But the idea is
false, nevertheless, because the mass of girls are misunderstood.
Misunderstood!--I can tell you why. Surely the mass of American
girls are nice, fine, sweet, wholesome. They are young. The news of
war liberates something in them that we can find no name for. But it
must be noble. A soldier! The very name, from childhood, is one to
make a girl thrill. What then the actual thing, the uniform,
invested somehow with chivalry and courage, the clean-cut athletic
young man, somber and fascinating with his intent eyes, his serious
brow, or his devil-may-care gallantry, the compelling presence of
him that breathes of his sacrifice, of his near departure to
privation, to squalid, comfortless trenches, to the fire and hell of
war, to blood and agony and death--in a word to fight, fight, fight
for women!... So through this beautiful emotion women lose their
balance and many are misunderstood. Those who would not and could
not be bold are susceptible to advances that in an ordinary time
would not affect them. War invests a soldier with a glamour. Love at
first sight, flirtations, rash intimacies, quick engagements,
immediate marriages. The soldier who is soon going away to fight and
perhaps to die strikes hard at the very heart of a girl. Either she
is not her real self then, or else she is suddenly transported to a
womanhood that is instinctive, elemental, universal for the future.
She feels what she does not know. She surrenders because there is an
imperative call to the depths of her nature. She sacrifices because
she is the inspiritor of the soldier, the reward for his loss, the
savior of the race.
Public-domain text, read in full here on John Shaqi.
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