'I've brought everything I could find that looked like your and your father's personal traps,' he informed her as he came in and put the things down on the floor. 'I looked in at the kitchen and figure it out we've got about twenty or thirty minutes before dinner. Come on, Angela; give Miss Longstreet a chance to get ready.' Angela transferred her scrutiny to him; Howard laughed at her good-humouredly, laid his hand gently on her shrunken shoulder and side by side they went out. Helen went singing into her bath, her weary body rested by the thought of coolness and cleanliness and a change of clothing. Little enough did she have in the way of clothing, especially for an evening when she was to meet still other strangers. But certain feminine trinkets had come with her journeying across the desert, and a freshly laundered wash dress and a bit of bright ribbon work wonders. When she heard voices in the _patio_, that of Alan Howard and of another man, this a sonorous bass, she was ready. She went to her father's door; Longstreet was in the final stages of his own toilet-making, his face red and shiny from his towelling, his sparse hair on end, his whole being in that condition of bewildering untidiness which comes just before the ultimate desired orderliness quite as the thick darkness before the dawn. In this case the rose fingers of Aurora were Helen's own, patting, pulling and readjusting. Within three minutes she slipped her hand through the arm of a quiet scholarly looking gentleman and together they paced sedately into the _patio_. Howard jumped up from a bench and dragged forward his friend John Carr, introducing him to his new friends. And in employing the word friend and repeating it, he spoke it as though he meant it. Here was a characteristic of the man; he was ready from dawn until dark to put out his big square hand to the world and bring the world home to his home for supper and bed and all that both connote.