But, on the whole, these true Deserts offer ample material for the
admiration of the artist, the meditations of the thinker, the researches
of the naturalist and the physician. Theirs is that kind of beauty which
borders on the sublime, and which impresses us so powerfully in the
Ocean. And, like the Ocean, they awake in the soul the feeling of
infinity. They render it forgetful of the tumultuous regions which are
perturbed by petty passions, and vexed by the contentions of ephemeral
interests, and transport it to the boundless space and the eternal
spheres, or allow it to draw back within itself and muse upon its future
destiny.
Finally, what grave problems does the Desert place before the man of
science! And first, why do life and fertility prevail elsewhere,--here,
sterility and death? Why does an irrevocable curse seem to weigh upon
certain parts of the world, while others rejoice in Nature's fairest
gifts? It is by examining the constitution of the soil and the character
of the climate that we discover the key to this enigma, and recognize in
this apparent anomaly a necessary effect of the harmonious laws of the
universe. Then the Desert has a geology and a meteorology of its own; is
the theatre of special phenomena, which we do not observe in more
favoured regions. Life itself is not completely absent from it;
specimens of the organic kingdoms are rare, no doubt, but for this very
reason are the more interesting.
And if, from the Desert properly so called, we pass to those countries
where the genial air and the abundant waters favour the action of the
productive forces, the interest increases with the increasing
development of life. The picture changes every moment, and every moment
grows more animated. The scenes of the savage world unfold before our
eyes like a moving panorama; unexpected incidents and dramatic episodes
multiply one upon another. Every region appears before us with its
primitive aspect, its grand and picturesque landscapes, its
characteristic fauna and flora--frequently, also, with its tribes of
white, or tawny, or black, or copper-coloured men, whose singular
manners, brutal instincts, fierce passions, and wretched condition
offer, in all its mournful reality, the spectacle of that "state of
nature" celebrated by a great writer as the ideal of virtue and
happiness.
* * * * *
Public-domain text, read in full here on John Shaqi.
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