We know that their first immigration into Europe occurred about the
close of the tenth century, for we find them referred to in a paraphrase
of the book of Genesis, written by an Austrian monk, about 1122. They
are there spoken of as "Ishmaelites and braziers, who go peddling
through the wide world, having neither house nor home, cheating the
people with their tricks, and secretly deceiving mankind." In the
fourteenth century a considerable body settled in Wallachia, Hungary,
and the island of Cyprus. Next, they invaded Germany, broke into
Switzerland, and appeared in Bologna and other Italian cities. Like a
besieging army they set down before Paris in 1427, but were not suffered
to enter its precincts. A few years later they crossed into England, and
gradually they overspread the whole of Europe. Their own account of
themselves represented that they came from "Little Egypt;" that about
four thousand of their number had been compulsorily baptized by the
king, and condemned to seven years' wanderings, while the remainder had
been slain. At first, their wealth, their pomp, and their supposed
penitence secured them a favourable reception; but when their wealth
was dissipated, their pomp decayed, and their penitence discovered to be
a sham, a storm of obloquy broke over their heads. Every European
government levelled the most arbitrary decrees against them, which
continued in force down to the middle of the eighteenth century. Various
attempts have since been made to civilize and incorporate them with the
general body of the population, but these have obtained a very limited
success. They still remain a race apart, with their own language (Romany
Tschib), their own traditions, their own customs, their distinct
personal characteristics. They still remain a race cursed with the curse
of perpetual restlessness; a mysterious impulse constrains them to
wander; they live secluded from all other peoples; an atmosphere of
secrecy enshrouds their inner life, their language, and their creed.
They are gifted with a remarkable love of and capacity for music, and a
strange wild charm invests their own gipsy-melodies. Their character is
a grotesque combination of the most opposite qualities; for they are
brave and yet cowardly; revengeful, yet loyal; treacherous, yet capable
of the most passionate attachment; indolent, yet energetic; chaste, yet
fond of licentious songs and dances. In a word, they are a problem to
the ethnologist, the moralist, and the historical student; and fence
themselves about with so impenetrable a reserve, that we may well doubt
whether the full truth respecting them will ever be ascertained.[36]
Public-domain text, read in full here on John Shaqi.
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