The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
Soon after the door was thrown quickly open, and Hagar sprang upon her
cousin’s neck, half cutting her soft shoulders in the wire-like embrace
of her slender arms, while the dark brow bent over the fair one, the
blue-black ringlets glittered over the pale golden hair, and the deep
carnation cheek met the pale, rose-tinted face an instant, and then she
was released.
“So, Hagar, you are married! dear me, how queer! is it not? Why, Hagar,
you don’t look at all different, not a bit like a married woman.” And
Rose got up and stood by her, and took her hand affectionately and
looked up merrily in her face, “dear me, no! not at all like a married
woman; Mrs. Withers! goodness! do they call you ‘Mrs. Withers,’ Hagar?
and do you always remember to answer to that name—and how do you like
being married, sure enough, Hagar—Mrs. Withers, I mean? Don’t turn your
head away and crimson and darken so, while scorn and mirth gleam and
flash from under your eye-lashes and upper lip; and don’t laugh—don’t
_you_ laugh if I do; it is no laughing matter; I feel it so most of the
time when I think of it. Oh, Hagar, my only sister that I ever knew, I
do pray for your happiness morning and evening!”
“Thank you.”
“Now tell me about Raymond, he is young, handsome, graceful,
accomplished, and all that; but tell me, is he _gentle_?”
“_Gentle!_ why do you ask, Rosalia? _Gentle!_ I gave him my hand—that is
your fit answer, dear.”
“Yes, I know—I asked because—I may say it to you without blame now,
Hagar—because his _father_ was not gentle, you know—and—and we sometimes
love those who are not gentle with us, Hagar,” and her soft eyes were
suffused.
“Yes,” exclaimed Hagar, “and then there is even in seeming gentleness,
sometimes gentle strength, gentle force, gentle firmness, more
irresistible, more inevitably enslaving, than rudeness, roughness,
violence could be,” and the dark girl’s soul half gleamed from her
countenance like a dagger half-drawn from its sheath.
“What do you mean, Hagar—dear Hagar, what do you mean?”
“Nothing! I mean that it is time for you to dress and come down—and I
mean that you must not ask me any more questions. Come, let me be your
dressing-maid for once, and—but no matter, I fear I should make a
failure in the essay,” and taking up a hand-bell, she rang it at the
door. A negro girl came in, and with her assistance the toilet of
Rosalia was soon made. Her golden hair was arranged in ringlets; her
dress was a light blue silk; her fair neck and arms were bare, and
adorned with a pearl necklace and bracelets. Hagar wore a black lace
dress. Now, as Hagar clasped the last bracelet on her arm (she did that
for her), standing with her before the mirror, nothing could have been
more unlike in feminine beauty than these two girls. Hagar, so small,
straight, dark, and sparkling—Rosalia so fair, soft, and gentle.
“Come, now, let us go down into the drawing-room, Rose.”
Public-domain text, read in full here on John Shaqi.
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