The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
“But see here, dear Hagar, I must go in the kitchen, and see Aunt[6]
Cumbo first; I know she wants to see me so much, so do I her.”
Footnote 6:
In the country parts of Maryland and Virginia, the children and young
people usually call the old negroes “Aunt” or “Uncle.” Further south,
“Mammy,” or “Daddy” so and so.
“But, my dear—”
“Oh, but _please_ let me, dear Hagar; for poor old Cumbo, you know, we
must not slight her, because she is old and—no, we must not slight her;”
and looking pleadingly at Hagar she passed out slowly before her, and
stole down the back stairs. Hagar followed her. They went through an end
door, and making a circuit to avoid meeting any one, reached the
kitchen. The old woman was busy, and grumbling over her culinary
operations before the fire, as Rose stood in her blooming loveliness in
the door.
“Aunt Cumbo, how do you do?” said she, approaching. At the sound of her
voice the old woman dropped ladle and pan, and turning around, gazed at
her through bleared eyes.
“Oh, Aunt Cumbo, don’t you know me? It’s me—Rose,” said she, going and
taking the black old withered hand in her own.
“Oh, it’s my baby! it’s my baby! it’s my sweet, lovely baby come back to
its old mammy again!” and the old creature fell weeping over her
shoulders.
“Oh, Rose, shake her off—don’t you see she is ruining your dress.”
“Oh, no! would you hurt her poor old feelings about a dress? her poor
old feelings!” said Rose, raising her hands and stroking her withered
cheeks, and looking kindly into the dim face.
“My baby! Oh, de little soft cotton wool hands!—bress Gor A’mighty for
lettin’ old nigger lib to see her baby once more ‘fore she go—see if old
mammy ain’t got anoder biscuit in her bosom for it—no, dey ain’t bake
yet; nebber min’ she’ll save one, and you set down dere, on dat ‘tool,
while mammy roas’ a sweet tatoe for you;” and the old creature put her
gently down on a stool, and went to rummaging under an old locker. Again
Rose’s eyes were full of tears, and she said in a low tone to Hagar—
“She is in her second childhood, Hagar; you did not prepare her for
this; poor old human being; nothing at all left of her but the loving
heart. They tell me that it is the first thing that lives, and the last
that dies.”
“You had better look at your dress.”
“How can she do her work?”
“Mechanically—we do not wish her to work; but I believe she would die if
she had not the privilege of cooking and grumbling; and Rose, don’t be a
fool—she is well enough; you know it is so with all these Guinea
negroes; they have such tenacity of vitality, that their strength of
body outlives for years the decay of their mental faculties; besides,
she is seldom so confused as this. Your sudden arrival has startled her,
and jostled past and present together in her apprehension; but come now,
Rosalia, you must come into the house;” and Rosalia went up to the fire
and said—
“Aunty!—mammy!—you will let me go into the parlor with the other ladies;
you know—”
Public-domain text, read in full here on John Shaqi.
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