The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
The supper bell rang, and Sophie, with a hasty charge to Hagar to make
her toilet quickly, arose and left the room. And Hagar sprang to her
feet with a determination to look very regal, happy, and defiant. She
bathed her burning eyes and brow, but without cooling their fever. She
smoothed her long glittering ringlets, and collected them under a
jewelled comb. She changed her black riding-dress for a crimson satin,
with full and falling sleeves, fastened a ruby bracelet on her slender
but rounded arm, and descended the stairs, trying to draw her heart up
blithe and high; she entered the drawing-room with head erect, expanded
brow, and elastic step, and was passing on proudly alone, behind the
company, who were going to the supper room, when quickly and softly at
her side was Raymond, his graceful head, with its wavy golden hair,
bending forward, smiling up into her face; his soft eyes radiant under
their golden lashes, and his delicate hand seeking hers, to draw it
through his arm, just as if nothing had happened. Her own Raymond!—her
pride was disarmed in a moment. Sunbright was the smile of surprise,
joy, love, and gratitude she flashed up in his gentle face, and suddenly
it softened into tenderness; how could she have defied a gentle soul
like his?—in truth, she would have given everything she possessed on
earth, except Remus, Romulus, and Starlight, to have blotted out for
ever the offence of the day. She had not expected this; she had prepared
herself to defy the storm, not the sunshine, and her defences were all
melted off. She was subdued, and quietly and generously resolved in her
own mind not to shock and wound his fastidious delicacy again, and so
they sat down to supper. The neighborhood gossip of a tea-table occupied
the company. But Hagar continued to watch Raymond with a new feeling,
new interest; it seemed his character was now constantly unfolding
itself to her; new leaf after leaf was turned; she watched him covertly
but closely. His manner was just precisely as usual; and, though she
often caught his full eyes, not the slightest consciousness of
remembering that anything unpleasant had occurred was to be detected in
their glance. His countenance and manner wore their usual air of
graceful self-possession and elegant repose, and she would have thought
that, indeed, the occurrence of the day had dropped from his memory, but
that once, quickly, under his breath, he had said, “Your restlessness of
manner, your anxiety of expression, will draw attention—be at ease.”
Public-domain text, read in full here on John Shaqi.
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