The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
The next morning Sophie Churchill made an effort to return home, but she
was overruled. It was Saturday, Emily said, and she must stay to attend
church the next day, Easter Sunday. She complied, and attended church
with the family, without meeting with another adventure of any sort. On
Easter Monday Sophie mounted on Emily’s horse, and carrying little Hagar
on her lap, set out for her home at Heath Hall, attended by Master Gusty
Wilde May as escort, who fancied his manhood greatly accelerated by the
honor of his office.
I told you that the house at the Heath was large and square. It faced
the bay, and a wide hall ran from the central front entrance through to
the back—from the middle of this hall, and facing the entrance, arose
the wide staircase, whose balustrades turned off in a scroll on each
side of the bottom steps. Under these stairs was a large closet where
household utensils were kept. On each side of this wide hall were
opposite doors—the left hand door letting into the parlor, the right
hand door into the ruinous drawing-room. The dim old parlor, with the
sleeping-room above it, and the kitchen near it, was the only habitable
part of the house, and even these rooms leaked in rainy weather. One
evening, about a week from the day of her arrival at home, Sophie
Churchill sat alone before the smouldering fire in the wide arched
fire-place; a lamp burned on the little old spiderlegged workstand; the
moonlight streamed through the branches of the old poplar trees that
swayed against the four gothic-arched and curtainless front windows. The
room was nearly bare of furniture; no carpet was on the floor; and the
once bright-colored landscape paper on the walls illustrating Fox’s
Christian Martyrs was torn and faded. It was a weird scene enough. The
figures of the Martyrs were large as life. Upon the wall opposite the
fire-place, and beside the door leading into the hall, was the
representation of a Christian suffering the baptism of fire; and as the
ray of the lamp flickered upon it, the form of the martyr seemed to
writhe and quiver—seemed to dip and rise from the flames, and the
features of his tormentors to grin and leer. Sophie was there knitting,
and her large brown eyes were somewhat larger, with a vague terror that
had fallen upon her spirits as soon as she was left alone. And well
might she feel this; except the infant and the beldam, there was not a
soul within half a mile of her, and the forest behind was known to be
the refuge of a runaway negro—a gigantic fellow, whose depredations in
the neighborhood were violent and frequent.
Public-domain text, read in full here on John Shaqi.
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