The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
the kind soul that she was unable to benefit. This was the silent
prayer—the silent fragrance rising from the bruised heart to
heaven—while she loosened her babies’ clothes, and laid them in the crib
to take their forenoon nap. And then she looked around the pleasant room
with its agreeable associations, the extensive prospect from the windows
of the broad river, the village with its little stir and bustle on the
opposite side, the boundless bay with its occasional passing packet, all
inspiring the feeling of life, liberty, and strength. If God is a kind
father, as all his children devoutly feel and acknowledge, _Nature_ is a
good nursing mother, and under the care of both, Hagar was even now
beginning to feel her torpid life stir again. She was at _home_, under
her own roof; what if the house were half a ruin—it was HER OWN. She was
upon her own land, and though it was only a desert heath, it was HER
OWN. There was a sense of independence in that, and of pride in the
thought that for this home she was not indebted to Mr. Withers—for,
though she still _must_ love him, in her high self-appreciation she now
felt an unconquerable reluctance to receive anything from him who had
withdrawn his love and personal protection. And then there was a sense
of returning power in the new life that was tiding in and filling all
her veins. Turning from the window, from which she had been gazing, her
eye fell upon her own image in the glass; that glass which had so often
reflected the slight dark figure of the high-spirited maiden, whose long
blue-black ringlets glittered down a crimson cheek blushing with pride,
_now_ gave back the form of the matron, whose fair, wan, spiritual face
was faintly flushed with returning life, and softly shaded by the tiny
black ringlets of the young hair just visible under the delicate lace
border of her little cap. Hagar scarcely knew herself. It was so strange
to see that changed picture in that frame.
Returning and looking again at her children, she drew the light muslin
curtain around them, and left the room to take a look through the house.
She went into the large, old drawing-room hall, as it was called in
those days, and there the first thing that met her eyes was her grand
piano, and her harp, from the Rialto. Hagar started in surprise and
embarrassment—the burden of obligation was beginning to feel
oppressive—she called Tarquin in.
“When did these arrive, and who brought them here?”
“They ’riv’ ’tother day, ma’am, by the packet ‘Future,’ Cap’n Hope, who
sent ’em up to the Hall by two sailors.”
“With any message?”
Public-domain text, read in full here on John Shaqi.
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