French fiction -- Translations into English; Historical fiction; Man-woman relationships -- Fiction
A great fire was burning on the hearth in spite of the mild weather,
and by the soft light of the candles in the sconces he saw a young woman
sitting on a high-backed _bergere_ in the angle by the hearth. The seat
was so low that she could move her head freely; every turn of it was
full of grace and delicate charm, whether she bent, leaning forward,
or raised and held it erect, slowly and languidly, as though it were a
heavy burden, so low that she could cross her feet and let them appear,
or draw them back under the folds of a long black dress.
The Vicomtesse made as if she would lay the book that she was reading on
a small, round stand; but as she did so, she turned towards M. de
Nueil, and the volume, insecurely laid upon the edge, fell to the ground
between the stand and the sofa. This did not seem to disconcert her.
She looked up, bowing almost imperceptibly in response to his greeting,
without rising from the depths of the low chair in which she lay.
Bending forwards, she stirred the fire briskly, and stooped to pick up a
fallen glove, drawing it mechanically over her left hand, while her
eyes wandered in search of its fellow. The glance was instantly checked,
however, for she stretched out a thin, white, all-but-transparent
right hand, with flawless ovals of rose-colored nail at the tips of the
slender, ringless fingers, and pointed to a chair as if to bid Gaston be
seated. He sat down, and she turned her face questioningly towards him.
Words cannot describe the subtlety of the winning charm and inquiry in
that gesture; deliberate in its kindliness, gracious yet accurate in
expression, it was the outcome of early education and of a constant use
and wont of the graciousness of life. These movements of hers, so
swift, so deft, succeeded each other by the blending of a pretty woman’s
fastidious carelessness with the high-bred manner of a great lady.
Mme. de Beauseant stood out in such strong contrast against the
automatons among whom he had spent two months of exile in that
out-of-the-world district of Normandy, that he could not but find in her
the realization of his romantic dreams; and, on the other hand, he
could not compare her perfections with those of other women whom he
had formerly admired. Here in her presence, in a drawing-room like some
salon in the Faubourg Saint-Germain, full of costly trifles lying about
upon the tables, and flowers and books, he felt as if he were back in
Paris. It was a real Parisian carpet beneath his feet, he saw once more
the high-bred type of Parisienne, the fragile outlines of her form, her
exquisite charm, her disdain of the studied effects which did so much to
spoil provincial women.
Public-domain text, read in full here on John Shaqi.
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